Dear Ruud, 
I guess the secret is considering mail art as just one of 
many creative activities that can be entered in an open "networking" 
frame of mind, when you start building a Church of Mail Art there is 
when the real FUN ends. I always loved and practiced street art 
activities because I feel they are related to the mail art attitude and 
really on the same wavelenght, just like I discovered mail art through 
my interest for the underground press of the 60es and the Beat 
literature of the 50es. There seems to be a wild, "street art" angle in 
everything that I like most, including rock and roll and popular music. 
Regarding stickers, I started producing them in the 70es and you know I 
did large projects and publications with P.Ciani in the 80es as 
Stickerman Museum etc. Today sticker-art and stencil-art have become 
genres in their own right, I recently bought through Amazon various 
related books (like Tristan Marco's STENCIL GRAFFITI for Thames and 
Hudson, THE ART OF REBELLION-World of Street Art for Gingko Press, 
STICK 'EM UP for BOOT Clibborn Editions, various Shepard Fairey 
publications), they are nice and interesting books but I think they 
fail to see these expressions as part of an artistic (sub)culture which 
roots go much deeper than 80es hip-hop and graffiti culture. Of course 
the many sticker-stencils projects and actions carried out for decades 
in the mail art environment are never acknowledged in these books, this 
is another problem of mail art being so insular-isolated, not really 
mixing with the outside world a lot (but I immediately contacted the 
authors of these books, sent them material, I encourage you to do the 
same: direct action is better than groaning and moaning!). And are you 
aware of active magazines promoting sticker art? if yes, pass me 
information. And why there are so few really active mail art magazine 
promoting a discussion on "our" medium (I know, I should put Arte 
Postale! back on the track)?

merry xmas to all!

Vittore Baroni





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