Hey Vittore,

You can call me Geert.
I see that you know many about street art and that you have many of the
books I have also. You should check out "Stick 'em Up" at the abck where all
artists are named, there should be stickers of me also in this book (search
Sztuka Fabryka). I believe that it is this book where stickers of my can be
found. I know some magazines such as Peel zine: www.peelzine.com. But if you
want to know more then you should check out www.woostercollective.com this
is a hughe site with lots of links and information. Infact you should pass
on your remark about Mail-Art and street art to Wooster so that it could be
published and that people can read about it.
Find some good reactions the past days on what I wrote. I believe there is
going to come different Mail-Art scenes. One in which people do send out
only things and that will it be. Is this communication? I do not believe
that. And one which continues the traditions of Ray Johnson. But ok then I
wonder an apple cake without the apples is that still an apple cake?
It is easy to say to build up a network, but I do not see the chanes
anymore. In the past you were able to see who is active through the
documentation of Mail-Art projects. But from about 90% of the Mail-Art
projects I participated in 2004 I have heard nothing afterwards so I do not
participate to Mail-Art projects anymore, beside a few exceptions. So, a
good idea Vittore to pick up your Arte Postale again. I will start to intend
to document my chains and pass it on to the other chains. May this be
something constructive.

> I guess the secret is considering mail art as just one of
> many creative activities that can be entered in an open "networking"
> frame of mind, when you start building a Church of Mail Art there is
> when the real FUN ends. I always loved and practiced street art
> activities because I feel they are related to the mail art attitude and
> really on the same wavelenght, just like I discovered mail art through
> my interest for the underground press of the 60es and the Beat
> literature of the 50es. There seems to be a wild, "street art" angle in
> everything that I like most, including rock and roll and popular music.
> Regarding stickers, I started producing them in the 70es and you know I
> did large projects and publications with P.Ciani in the 80es as
> Stickerman Museum etc. Today sticker-art and stencil-art have become
> genres in their own right, I recently bought through Amazon various
> related books (like Tristan Marco's STENCIL GRAFFITI for Thames and
> Hudson, THE ART OF REBELLION-World of Street Art for Gingko Press,
> STICK 'EM UP for BOOT Clibborn Editions, various Shepard Fairey
> publications), they are nice and interesting books but I think they
> fail to see these expressions as part of an artistic (sub)culture which
> roots go much deeper than 80es hip-hop and graffiti culture. Of course
> the many sticker-stencils projects and actions carried out for decades
> in the mail art environment are never acknowledged in these books, this
> is another problem of mail art being so insular-isolated, not really
> mixing with the outside world a lot (but I immediately contacted the
> authors of these books, sent them material, I encourage you to do the
> same: direct action is better than groaning and moaning!). And are you
> aware of active magazines promoting sticker art? if yes, pass me
> information. And why there are so few really active mail art magazine
> promoting a discussion on "our" medium (I know, I should put Arte
> Postale! back on the track)?





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