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-----Original Message-----
From: [email protected]
To: [email protected]
Sent: Mon, 12 Jan 2009 6:39 am
Subject: (",)  Ray Johnson in London Feb 2009 emphasis on mail-art

























    

            





www.ravenrow.org
Raven Row – 
56 Artillery Lane, London e1 7ls – 


 


 


Raven Row is a new non-profit contemporary art exhibition centre at 56 
Artillery
Lane, Spitalfields, E1, which will open to the public on 28 
February 2009.
Behind one of the finest eighteenth-century shopfronts in 
London, situated on a
street whose original name it has retained, Raven Row 
will present five
exhibitions a year in a series of historic rooms onto which 
leading young UK
practice 6a Architects have added two contemporary 
galleries.



Raven Row’s inaugural exhibition will be the largest yet in Europe of 
the collages
and mailings of Ray Johnson, described by the New York Times in 
1965 as 'New
York's most famous unknown artist'. Johnson, who pioneered ‘mail 
art’, lived in
self-imposed exile from galleries between the seventies and 
his death in 1995.
Raven Row's programme is intended to appeal both to the 
specialist audience
and a broader, curious public. It is led by a desire to 
show the most interesting
work that has somehow escaped London’s attention, 
both by established
interna
tional artists, and by those whose practice has 
eluded the canons of art
history.



Flats in the building’s upper floors will host visiting artists and 
curators and
occasional residencies organised by invitation. The first 
residency by the activist
sound collective Ultra-red starting in March 2009, 
will coincide with Raven
Row's second exhibition, of work by German pop 
artist Thomas Bayrle and
Danish film and sound artist Ann Lislegaard. Other 
exhibitions in 2009 will
include a collaboration between LA artist Dave 
Hullfish Bailey and London
artist Nils Norman, and the first UK exhibition of 
the video installations of
Harun Farocki, one of Germany's most significant 
filmmakers.
Four Corners Books, an acclaimed non-profit publisher of artists' 
books
and books on art, will be based in the building and will organise 
occasional
exhibitions and share events there.



Raven Row 's intention is to explore what it might mean to be of 
'cultural value' to
London, and its programming model will be subject to 
regular scrutiny
and experiment. Attendance figures, accessibility, critical 
attention, and
educational use will all be taken into consideration, but the 
board is not
accountable to any of these 
indicators.







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