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http://www.insanely-great.com/news.php?id=659

MPEG LA backs down, royalties capped
By ron carlson, Insanely Great Mac
July 16th 2002

The move could prevent MPEG-4 from self-immolating before it reaches consumers

News.com reports that QuickTime 6''s sudden availability is due at least in part to an 
eleventh hour agreement between MPEG LA the group that represents the 18 patent 
holders with claims on underlying MPEG-4 technology, and would-be licensees.

Many vendors, notably Apple, balked at the terms initially offered by MPEG LA in 
February. At the time, the licensing body proposed, among other things, royalties 
without caps or thresholds.

"We''ve made a lot of progress as an industry working with MPEG LA, moving them 
considerably from where they were six months ago," Frank Casanova, Apple''s director 
of QuickTime product marketing, told News.com. 

Under terms announced yesterday, Internet media content owners with fewer than 50,000 
subscribers needn''t pay royalties. Licensing fees have been set at $0.25 per 
subscriber or $0.02 per hour with a $1 million cap per year.

Also, content owners can pay $1 million annually up front to avoid reporting on usage.

"We''ve met a lot of the concerns that have been expressed in the marketplace," 
Lawrence Horn, MPEG LA spokesman told News.com. "We''ve built a licensing model 
that''s usable in the industry."

A twisted plot line

In many instances, Apple for example, those licensing MPEG-4 are also the same 
entities that own the 18 patents behind this technology. In a very real way, patent 
holders are licensing their own technology and paying themselves royalties for the 
right to use it.

Also, although unspoken, MPEG-1/2/3 survived quite nicely in the marketplace without 
per use fees. Apple''s iTunes and a dozen or more other mp3 players offer dozens of 
"radio" stations that don''t collect or pay listener fees, and still mp3 is widely 
viewed as the most popular and successful audio compression standard ever.

Moreover, MPEG-1/2/3 have been in use for years and its purveyors seem to have made 
healthy profits without directly collecting data on the when and who of their use.

Those who purchased the codecs for MPEG-1/2/3 -- software and hardware tools -- for 
encoding and decoding content do pay licensing fees and apparently there is still 
enough money to go for both new research (i.e. MPEG-4) and to pay share holders. 

However, Rob Koenen, president of the MPEG Requirements Group, told News.com that if 
MPEG LA had not reconsidered per-use fees, the technology might well have withered. 
That Mr. Koenen can make such a statement without qualification or hint of irony is a 
test logic if not good taste.

"If the terms are acceptable for the markets, MPEG-4 will take off big time. If not, 
it will be a serious impediment," Koenen is also quoted as saying. "MPEG-4 doesn''t 
exist in a vacuum. It has to be economically feasible, too."

It is good that a technology integral to Apple''s future is now available on terms 
apparently agreeable to reasonable men. That this technology introduces user 
data-collection requirements and per-use fees is not a good thing.

This is a land grab pure and simple.


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