For what it is worth, Merleau Ponty appeals to some in cognitive
science and in 'ecophenomenogy' (which I didn't know existed until
today) :

http://en.wikipedia.org/wiki/Maurice_Merleau-Ponty#Anticognitivist_cognitive_science

Anticognitivist cognitive science

Despite Merleau-Ponty's own critical position with respect to science
- he describes scientific points of view as "always both naive and at
the same time dishonest" in his Preface to the Phenomenology - his
work has become a touchstone for the "anti-cognitivist" strands of
cognitive science, largely through the influence of Hubert Dreyfus.

Dreyfus's seminal critique of cognitivism (or the computational
account of the mind), What Computers Can't Do, consciously replays
Merleau-Ponty's critique of intellectualist psychology to argue for
the irreducibility of corporeal know-how to discrete, syntactic
processes. Through the influence of Dreyfus's critique, and
neurophysiological alternative, Merleau-Ponty became associated with
neurophysiological, connectionist accounts of cognition.

With the publication in 1991 of The Embodied Mind by Francisco Varela,
Evan Thompson, and Eleanor Rosch, this association was extended, if
only partially, to another strand of "anti-cognitivist" or
post-representationalist cognitive science: embodied or enactive
cognitive science, and later in the decade, to neurophenomenology.

It was through this relationship with Merleau-Ponty's work that
cognitive science's affair with phenomenology was born, which is
represented by a growing number of works, including Andy Clark's Being
There (1997), the collection Naturalizing Phenomenology edited by
Petitot et al. (1999), Alva Noë's Action in Perception (2004), Shaun
Gallagher's How the Body Shapes the Mind (2005), and the journal
Phenomenology and the Cognitive Sciences.

--------

Ecophenomenology

Ecophenomenology can be described as the pursuit of the
relationalities of worldly engagement, both human and those of other
creatures (Brown & Toadvine 2003).

This engagement is situated in a kind of middle ground of
relationality, a space that is neither purely objective, since it is
reciprocally constituted by a diversity of lived experiences
motivating the movements of countless organisms, nor purely
subjective, since it is nonetheless a field of material relationships
between bodies. It is governed exclusively neither by causality, nor
by intentionality. In this space of in-betweenness phenomenology can
overcome its inaugural opposition to naturalism.[5]

David Abram explains Merleau-Ponty's concept of "flesh" (chair) as
"the mysterious tissue or matrix that underlies and gives rise to both
the perceiver and the perceived as interdependent aspects of its
spontaneous activity," and he identifies this elemental matrix with
the interdependent web of earthly life.[6] This concept unites subject
and object dialectically as determinations within a more primordial
reality, which Merleau-Ponty calls "the flesh," and which Abram refers
to variously as "the animate earth," "the breathing biosphere," or
"the more-than-human natural world." Yet this is not nature or the
biosphere conceived as a complex set of objects and objective
processes, but rather "the biosphere as it is experienced and lived
from within by the intelligent body — by the attentive human animal
who is entirely a part of the world that he, or she, experiences.
Merleau-Ponty's ecophenemonology with its emphasis on holistic dialog
within the larger than-human world also has implications for the
ontogenesis and phylogenesis of language, indeed he states that
"language is the very voice of the trees, the waves and the forest."
[7] Merleau-Ponty himself refers to "that primordial being which is
not yet the subject-being nor the object-being and which in every
respect baffles reflection. From this primordial being to us, there is
no derivation, nor any break..."[8] Among the many working notes found
on his desk at the time of his death, and published with the
half-complete manuscript of The Visible and the Invisible, several
make evident that Merleau-Ponty himself recognized a deep affinity
between his notion of a primordial "flesh" and a radically transformed
understanding of "nature." Hence in November 1960 he writes: "Do a
psychoanalysis of Nature: it is the flesh, the mother." [9] And in the
last published working note, written in March 1961, he writes: "Nature
as the other side of humanity (as flesh, nowise as 'matter')."[10]

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