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Now available from Ovid, the Netflix for radicals, “We the Workers” is a 174-minute cinema vérité study of labor organizers in China that despite its economy of means amounts to the first look at one of the most significant class struggles taking place in the world today. Directed by Huang Wenhai, it is shot mostly indoors without much fanfare and consists almost entirely of strategy discussions by men working for the Panyu Migrant Workers Center between themselves and with the workers they serve.
Additionally, as you might expect from a fly-on-the-wall perspective of the cinema vérité genre, you see them coping with daily life—trying to strike a balance between the duress of standing up to an all-powerful state and living a normal life. Often, the scale is tipped toward the duress side. This was the case with an organizer named Peng Jiayong confessing that his wife broke up with him because she couldn’t share the burdens of being married to someone with such a single-minded devotion to changing a seemingly unchangeable system.
full: https://louisproyect.org/2020/01/22/we-the-workers-american-factory/ _________________________________________________________ Full posting guidelines at: http://www.marxmail.org/sub.htm Set your options at: https://lists.csbs.utah.edu/options/marxism/archive%40mail-archive.com
