This is the book review mentioned by Ken Hiebert.

Birney-Trotsky letters a reminder of the perils, challenges of leadership; Books

*Author:* Geddes, Gary

*Publication info:* Times - Colonist ; Victoria, B.C. [Victoria, B.C]30 Aug 
2020: C.1.

Conversations With Trotsky: Earle Birney and the Radical 1930s, University of 
Ottawa Press, 418 pages.

On Aug. 20, 1940, a man who'd brought him an essay to critique plunged the 
business end of an ice-axe into Trotsky's skull, thinking he would be able to 
kill his victim without a sound, then make a quick retreat.

But Trotsky, emitting a huge bellow and with blood pouring down his face, 
turned and grappled with his attacker. They struggled in a macabre dance of 
death until the bodyguards descended on the interloper and started to beat him.

Trotsky asked them not to kill his assailant, as he must be made to name his 
bosses. While Trotsky lay with his head in his wife Natalia's lap, 
fourteen-year-old Seva showed up, but was whisked away at his beloved 
grandfather's request: "Don't let the boy see this."

Trotsky died of his wounds the next day. And the assassin, a Spanish Stalinist 
agent named Ramón Mercader, carrying a Canadian passport and using the name 
Frank Jacson, was convicted of murder and spent twenty years in jail without 
ever naming his handlers.

Being a teacher clearly has its dangers, but being a student can also be a 
source of worry. If you doubt this, ask Joe Hansen. This is where Canadian poet 
Earle Birney comes in.

During and after his studies at UBC, Birney became an active Trotskyist, 
writing and organizing cells (or "units"), corresponding with Trotsky and 
interviewing him in exile in Norway. While teaching English briefly at the 
University of Utah, Birney recruited one of his students to the cause. Hansen 
went on to become a secretary-bodyguard for Trotsky in Mexico. While Birney 
eventually gave up politics, joined the army and became a writer and academic, 
his student Joe Hansen remained a true believer for life.

These are two tidbits from a book full with insight and information called 
Conversations With Trotsky: Earle Birney and the Radical 1930s, edited by 
former SFU professor Bruce Nesbitt. The title first caught my attention because 
I've been working on a full-length stage play called Norwegian Rabbit (conejo 
de noruega, Spanish for 'lemming') about Trotsky on the morning of his 
assassination in Mexico City. On a literary exchange to Mexico, I was invited 
by Emile Martel, a Québécois poet and cultural attaché at the Canadian Embassy, 
to tour Museo Trotsky, former residence of the exiled genius of the Russian 
revolution, as well as a crime scene.

The second reason for my interest in Nesbitt's book has to do with my student 
days at UBC, where the maverick poet Birney was busy stirring up a hornet's 
nest by proposing the creation of a separate Creative Writing Department, which 
some felt would dismember the English Department. I had not studied with 
Birney, but had a unexpected and memorable encounter with him during my last 
week on campus.

I was walking down a corridor in the Bucha nan building when I heard shouting. 
I could see no one, but as I passed an open door a strong hand clamped on my 
wrist and dragged me into the office.

My lanky, bearded captor was surrounded by a dozen liquorstore boxes, some 
half-empty, some overflowing with books. He pointed to a shelf of unsorted 
volumes and announced: "I'm finally getting out of this f--ing prison. Take any 
books you want!" I was in such a shock that I don't remember what I grabbed 
before escaping back into the hallway. I was not to meet Earle Birney again 
until four years later, when I was in graduate school at the University of 
Toronto, where he had a one-year appointment as writerin-residence. By that 
time, I had studied his work and realized he was a major Canadian poet. It was 
only then that he became a friend whose work I would soon have the pleasure of 
including in two of my Oxford anthologies.

As Bruce Nesbitt shows in the documents, the young Birney was inspired by 
Trotsky's vision and intelligence: "It was the feeling of a mind equipped with 
twice the cylinders a man's mind possesses, and the engine of the mind running 
silently and smoothwly and with perfect efficiency." Birney's tribute to 
Trotsky, not long after the assassination, is elegant and generous: "No one in 
our time, I think, so perfectly blended the gifts of the artist and the man of 
action into a memorable whole." Yet he broke with the Trotskyists over their 
tacit support of the invasion of Finland and what he saw as a bureaucratic 
tendency and "an organizational approach that is quixotic and suicidal."

The correspondence suggests that Hansen mentioned Birney to Trotsky in Mexico, 
but it would have been too early for either to have read Birney's famous poem 
David, which came to be taught widely in schools and universities. That poem is 
about the management of grief and guilt, about assisting a mortally injured 
friend to end it all. I can't help but wonder if Birney's decision to abandon 
Trotsky and the faith informs that poem at some level; and if his 
'disloyalty'might have struck him more than once as a contributing factor to 
his onetime hero's demise. But this is idle speculation inspired by an 
engaging, well researched and superbly written account of a time in our history 
when the Left seemed to so many the only path toward justice and equality.

Like Norwegian Rabbit, the Birney-Trotsky conversations are not only a reminder 
of the challenges and perils of leadership - especially in the age of Trump, 
Putin, Bolsonaro and their ilk - but also a serious prompt about the plight of 
political refugees, for whom the doors seem to be closing fast. Gary Geddes's 
most recent works are Medicine Unbundled: A Journey Through the Minefields of 
Indigenous Health Care and The Resumption of Play.

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