---------- Forwarded message ---------
From: H-Net Staff via H-REVIEW <[email protected]>
Date: Wed, Mar 3, 2021 at 2:37 PM
Subject: H-Net Review [H-Podcast]: Baker on Hethmon, 'Your Museum Needs a
Podcast: A Step-By-Step Guide to Podcasting on a Budget for Museums,
History Organizations, and Cultural Nonprofits'
To: <[email protected]>
Cc: H-Net Staff <[email protected]>


Hannah Hethmon.  Your Museum Needs a Podcast: A Step-By-Step Guide to
Podcasting on a Budget for Museums, History Organizations, and
Cultural Nonprofits.  Self-published, 2018.  101 pp.  $13.99 (paper),
ISBN 978-1-72393-102-4.

Reviewed by Holly Baker (Brevard Museum of History and Natural
Science)
Published on H-Podcast (March, 2021)
Commissioned by Robert Cassanello (he/him/his)

In recent years, podcasts have become an increasingly popular medium.
Podcasting has transformed the way we consume information. At the
same time, podcasting liberates producers and consumers from the
constraints of traditional mediums. Essentially, anyone anywhere can
make a podcast about anything they want. For that reason, podcasts
hold much power and offer endless possibilities. Hannah Hethmon is a
museum communications consultant. She produced an award-winning
podcast of her own called _Museums in Strange Places. _Hethmon's
book, _Your Museum Needs a Podcast: A Step-By-Step Guide to
Podcasting on a Budget for Museums, History Organizations, and
Cultural Nonprofits _offers a comprehensive yet concise guide that
walks beginners through the process of starting a podcast.

Hethmon's book includes an introduction followed by five chapters.
Each chapter takes the reader through various aspects of podcasting.
In chapter 1, the author discusses the importance of planning,
visualizing the premise of the podcast, and identifying the potential
audience for it. Chapter 2 offers recommendations for equipment and
software, including microphones, audio recorders, and accessories.
Chapter 3 focuses on editing and production topics, such as audio
editing and recording software, script writing, background music, and
sound effects. Chapter 4 delves into the art of storytelling through
podcasts. As Hethmon points out in her book, almost all podcasts
require some sort of story. She explains the importance of capturing
the attention of the listener in the podcast's introduction and
keeping the listener engaged. Finally, chapter 5 explains how to
officially market and launch your podcast. The book also includes an
appendix that discusses several alternatives to producing podcasts
"in-house."

While the book is concise at just over one hundred pages long, the
author offers detailed podcasting tips and suggestions, touching on
nearly everything a potential producer would want to know about the
podcasting process. Throughout the book, the author includes examples
from her personal podcasting journey. Hethmon's "can-do" attitude
gives the book a positive tone that new podcasters will appreciate.
The beginning stage of podcasting can be frustrating and
overwhelming, and Hethmon offers a helpful balance of guidance and
motivation.

Though _Your Museum Needs a Podcast_ was written in 2018, before the
COVID-19 pandemic, the book is even more relevant today. Nonprofit
organizations, including museums, currently struggle to connect with
audiences while experiencing a decline in "in person" interactions
due to social distancing restrictions. Podcasts offer opportunities
for museums, history organizations, and nonprofits to distribute
information to large audiences in innovative and creative ways and to
keep in touch with their supporters and members.

The book is primarily intended for cultural organizations, but it
would be useful to anyone interested in launching their own podcast.
People with podcasting experience may also gain some insight from the
book. I am a public historian who has produced podcasts for a
nonprofit history organization for more than five years. I make
podcasts for the Florida Historical Society's weekly radio program
_Florida Frontiers_ that airs on National Public Radio stations
throughout the state of Florida. I also produce podcasts for the
University of Central Florida's History Department, and I coproduce
the official podcast of the Zora Neale Hurston Festival of the Arts
and Humanities. Even though I have produced hundreds of podcasts at
this point, I still discovered several valuable tips from Hethmon's
book.

For example, I had not heard of Auphonic prior to reading this book.
Auphonic is an audio optimization software that Hethmon recommends
for podcasters to enhance and improve their audio recordings. I have
long used Audacity to edit my podcasts, a free, open-source audio
engineering software. Hethmon's book recommends using Auphonic in
conjunction with Audacity to improve audio quality. Her book is full
of guidance like this, advice that she herself only discovered after
making dozens of podcasts.

While reading the book, I could not help wishing it had been
published when I first started the podcasting process in 2015. Back
then, I did not know where to begin. At the time, there were not a
lot of resources available about podcasting. Hethmon's book
streamlines the learning process while offering detailed,
budget-friendly, and practical advice. I would recommend Hethmon's
informative and cheerful guide to anyone who wants to delve into the
world of podcasting.

Citation: Holly Baker. Review of Hethmon, Hannah, _Your Museum Needs
a Podcast: A Step-By-Step Guide to Podcasting on a Budget for
Museums, History Organizations, and Cultural Nonprofits_. H-Podcast,
H-Net Reviews. March, 2021.
URL: https://www.h-net.org/reviews/showrev.php?id=55758

This work is licensed under a Creative Commons
Attribution-Noncommercial-No Derivative Works 3.0 United States
License.




-- 
Best regards,

Andrew Stewart


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