Best regards,
Andrew Stewart

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> From: H-Net Staff via H-REVIEW <[email protected]>
> Date: April 29, 2021 at 8:37:50 AM EDT
> To: [email protected]
> Cc: H-Net Staff <[email protected]>
> Subject: H-Net Review [H-War]:  Krause on Bontrager, 'Death at the Edges of 
> Empire: Fallen Soldiers, Cultural Memory, and the Making of an American 
> Nation, 1863-1921'
> Reply-To: [email protected]
> 
> Shannon Bontrager.  Death at the Edges of Empire: Fallen Soldiers, 
> Cultural Memory, and the Making of an American Nation, 1863-1921.
> Studies in War, Society, and the Military Series. Lincoln  University 
> of Nebraska Press, 2020.  Illustrations. 432 pp.  $60.00 (e-book), 
> ISBN 978-1-4962-1907-7; $60.00 (cloth), ISBN 978-1-4962-0184-3.
> 
> Reviewed by Tristan Krause (Texas A&amp;M)
> Published on H-War (April, 2021)
> Commissioned by Margaret Sankey
> 
> In Death at the Edges of Empire: Fallen Soldiers, Cultural Memory, 
> and the Making of an American Nation, 1863-1921, Shannon Bontrager 
> deftly traces the dynamic and often contentious American cultural 
> memory derived from commemorating fallen military from the Civil War 
> through the end of World War I. Rather than a history of American 
> conflicts, Death at the Edges of Empire is a detailed analysis of how 
> the US government, middle-class citizens, and American corporations 
> collaborated to construct and maintain specific memories of the dead. 
> Bontrager is quick to point out that the meanings of past sacrifice 
> were not static but malleable, meaning that the shifting "politics of 
> race, class, and gender shaped the rituals of commemoration and 
> cultural memory" (p. 4). This curated and constantly evolving nature 
> of American cultural memory is a central theme in Bontrager's work, 
> and he dexterously follows how the commemoration of war dead 
> facilitated these memories throughout the late nineteenth and early 
> twentieth centuries. 
> 
> Using the models of Jan Assmann and other historians of memory, 
> Bontrager organizes his work along three intertwined memory 
> techniques: storage, retrieval, and communication. The author begins 
> his narrative with President Abraham Lincoln's Gettysburg Address, 
> defining what he dubs "Lincoln's promise to the dead and obligation 
> for the living" (p. 19). This promise urged Americans to remember 
> fallen soldiers and, Bontrager argues, created a nascent cultural 
> memory that bound the Union together over shared sacrifice and ideals 
> of liberty. But Lincoln's promise would not hold its original form 
> throughout the following decades, as Bontrager goes on to document 
> the "cooling" process of memories, illustrating how certain aspects 
> of past conflicts were removed from or added to American cultural 
> memory to serve several different purposes in the present. 
> 
> Chapters 1-3 examine the relationship between space and memory 
> storage, including the dueling foundational memories present in 
> adjacent Union and Confederate cemeteries, the burial of soldiers on 
> America's expanding frontier, and the commemoration of soldiers who 
> died during the Spanish-American War. Building off scholars like Drew 
> Gilpin Faust and William Blair, Bontrager states that "federal 
> authorities and middle-class Americans built a network of sacred 
> spaces" to explain the losses of the American Civil War, yet the 
> memories stored within were ever susceptible to change and excluded 
> many (p. 37). As an example, the memories of the Civil War as a war 
> for liberty and emancipation embedded in Lincoln's original promise 
> soon shifted to a narrative of national preservation, allowing 
> ex-Confederates to participate in American cultural memory while 
> freezing out the memories of Black Americans. Driven by imperial 
> expansion and the need for sectional reunification, national 
> cemeteries began including Confederate dead and southern 
> interpretations of the war. As a result, Bontrager argues, "symbols 
> of the old Confederacy gained storage space while symbols of freedmen 
> and emancipation lost space in the cultural memory of 
> post-Reconstruction Americans" (p. 105).
> 
> The following two chapters focus on the role of war dead in shaping 
> the memory of American imperial expansion, specifically covering the 
> retrieval and (re)sinking of the USS_ Maine _and the recovery of 
> physical remains from the Philippines. Both the sunken vessel and 
> bodies of American service members provided opportunities to retrieve 
> stored cultural memory, which "became a crucial act through which 
> Americans claimed rites of citizenship and understood U.S. identity 
> in the world" (p. 120). Bontrager's work expertly highlights an 
> inherent juxtaposition in American cultural memory at the turn of the 
> century, as commemorative practices shrouded in republican virtues 
> partially obscured the imperialistic nature of US foreign policy. 
> 
> The last section of the book includes chapters that highlight various 
> icons and platforms that communicated a changing cultural memory as 
> the United States entered World War I and attempted to determine its 
> role on the global stage. At times, the framework of empire here 
> feels a bit forced, like when the wartime letters of North Carolina 
> volunteer Arthur Bluethenthal "underscored his imperialistic 
> behavior" (p. 211). There is an unexpected regional emphasis in this 
> segment as well, as the next chapter again focuses on North Carolina, 
> contending that the state's World War I archival collection broadcast 
> a memory of southern redemption without effectively connecting it to 
> other states in the South. That said, the last chapter featuring 
> President Warren Harding's use of aural technology during the 
> dedication ceremony for the Tomb of the Unknown Soldier in 1921 is 
> particularly vivid and well written, as Bontrager establishes how 
> Harding "infused republican traditions onto the Tomb of the Unknown 
> Soldier to help join fracturing cultural memories together again" (p. 
> 279). This analysis remains relevant today, as President Joe Biden 
> and previous heads of state recently broadcast another message of 
> unity from the same location using similar memories of past sacrifice 
> and national service. 
> 
> _Death at the Edges of Empire _is an insightful new addition into the 
> historiography on how Americans construct cultural memories from 
> their military dead and how these memories are susceptible to change. 
> Some of the book's real value comes in connecting the scholarship on 
> the perceptions of dying in mid-nineteenth-century America to the 
> well-established body of literature on the European customs of death 
> and mourning in the wake of World War I. Bontrager's ambitious 
> geographical and temporal scope also incorporates analysis of places 
> and events usually outside the realm of study, such as frontier 
> burials in Alaska or American ambulance drivers in Serbia. Overall, 
> Bontrager's research offers a vibrant yet cautionary history of how 
> Americans repeatedly adjusted their memories of the dead in ways that 
> suited the living. 
> 
> Citation: Tristan Krause. Review of Bontrager, Shannon, _Death at the 
> Edges of Empire: Fallen Soldiers, Cultural Memory, and the Making of 
> an American Nation, 1863-1921_. H-War, H-Net Reviews. April, 2021.
> URL: https://www.h-net.org/reviews/showrev.php?id=56002
> 
> This work is licensed under a Creative Commons 
> Attribution-Noncommercial-No Derivative Works 3.0 United States 
> License.
> 
> 


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