That, and its successors, look like amazing cameras. We have just been
adjusting to the idea of spending $1k--the current unit, the EX3, retails
for $13k.

My instinct tells me that we are better getting a $1k (or less) camera and
learning what matters most to us, then spending $13k and realizing that we
could have comfortably done well with less.

One factor is size and portability. Virtually all of our videocam use would
be for oral histories, where the camera would be mounted on a tripod and
pretty much left pointing at the respondent for the whole interview. A small
device that could be handheld, or mounted on a tripod, that saved in
reasonably high def, is ideal. (Small, because not all staff here are hefty,
and because we will have a LOT of equipment for some events. What I really
want is the digital equivalent of a mini-dv cam; but without those
unreliable mini-dv media. The closest equivalent I see today is something
using the newish (and still funky for editing) AVCHD format. The Canon HF10
actually looks plausible for our purposes. 16GB cards should hold about
1.5hours each, which would work very well for the uses we anticipate now.

The immediate scenario that we are looking at is something we call the
roadshow. That is a party where we invite several respondents to bring
images or objects for scanning, and they also share stories. In some cases
they share together, and we would also tape individual oral histories
onsite--but relatively short ones, as we'd want to tape everyone. We have
some nice digital audio recorders, but I don't know how much they would be
used--it seems really clear that people are comfortable talking to a
camcorder, and that people love seeing the video along with hearing voices,
so we end up with a more accessible recording in that sense (that people
will enjoy listening enough so that they actually listen more).

But, this is just me blathering. I may be totally off-base in terms of real
needs, or better ways to gather these types of materials. And lots of people
are going to submit interviews and images taken with their cellphones, for
goodness' sake, so there has to be a limit as to how much I am willing to
obsess about resolution and quality.

ari




On Tue, May 27, 2008 at 4:04 PM, Bill Gardner <billgardner1 at mac.com> wrote:

> Hi Ari,
>
> We are using Sony EX1 solid state HD recorders very successfully, see
> also the Panasonic P2 system.
>
> Also look for the FLASH XDR HD field recorder that uses SD cards.
>
> Regards
>
> Bill Gardner SWT
> On 27 May 2008, at 20:03, Ari Davidow wrote:
>
> > The idea of using video for oral histories (vs. audio only) seems
> > to be
> > still of some controversy among oral historians. But, we used video
> > for one
> > huge project last year, and I say, no going back. Especially when we
> > consider that these are recordings for people to view and interact
> > with
> > (how, we haven't yet determined) on the web, the use of audio seems
> > so,
> > well, last century.
> >
> > So, if you are recording video at events, or in gathering oral
> > histories,
> > what cameras (digicams? video recorders?) have you found that work
> > well? I'm
> > pretty sure that we're ready to go the all-digital route--
> > downloading data
> > from mini-dv tapes to the computer is a pain--but I don't want to
> > end up
> > with the video equivalent of mp3s--files of relatively low,
> > lossily-compressed video that will cause us great depression ten
> > years hence
> > when, had we something even as good as .avi files of the 2000s, we
> > could
> > generate better public viewing versions than today's mpegs.
> >
> > ari
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