Digital music services flunk college test

Sat Feb 21, 2009 2:09am GMT

By Antony Bruno
Reuters/Billboard

http://uk.reuters.com/articlePrint?articleId=UKTRE51K0J420090221


DENVER (Billboard) - College campuses were once a prime spawning ground 
for new digital music services.

Those days appear to be over.

Closing the book on the role of campuses as digital music laboratories 
is the recent demise of Ruckus -- an ad-supported music download service 
that was available for free to students at 200 universities through 
direct content deals, as well as to anyone else with a .edu e-mail 
account. The closing came after Universal Music Group and Sony Music 
Entertainment dissolved their Total Music joint venture, which acquired 
Ruckus last year.

Ruckus joins a list of several other once-promising services, including 
Napster and Cdigix, that suffered an early death after attempting to 
offer college students a low-cost, legal alternative to peer-to-peer 
(P2P) file-sharing networks. The abrupt closing of Ruckus in early 
February has left university officials scratching their heads over where 
to turn next.

Compounding the problem is the U.S. Higher Education Opportunity Act, 
enacted in August. It requires universities to offer students who use 
their networks alternatives to popular P2P offerings, along with other 
measures like implementing technology to block unauthorized distribution 
of copyrighted works.

But the law doesn't state which measures would be considered appropriate 
as an "alternative." The U.S. Department of Education is currently 
defining what that means, but the process could take months.

RUCKUS ROSTER

According to the Campus Computing Project (CCP), which studies the use 
of information technology at U.S. universities, most schools offering 
students a licensed music service were using Ruckus. Former Ruckus 
officials say students from more than 1,000 universities were registered 
in its system.

What's left? The leading remaining alternative is the Choruss 
initiative, led by industry consultant Jim Griffin and backed by Warner 
Music Group. Choruss aims to collect a monthly per-student fee from 
participating universities in return for allowing students to use any 
P2P network. Universities would have to implement some kind of 
technology to track which songs are downloaded and how often, so that a 
nonprofit entity could then distribute the fees to rights holders, much 
as collecting societies like ASCAP do.

But Choruss isn't yet a fully baked deal. Details like pricing have yet 
to be resolved, and unconfirmed reports late last year said that only 
three of the major labels are onboard, with Universal as the sole holdout.

The biggest barrier is cost. The current per-student monthly figure 
being kicked around is somewhere less than $5, which the university 
would either have to pay or pass along to students in the form of an 
activity fee or other line item. But as the fate of past college-focused 
services has shown, universities and students are reluctant to pony up.

"The challenge with any model like that is finding someone to pay for 
it," a former Ruckus executive said. "Universities are also challenged 
by the current economy, and even historically it's been tough to get 
them to pay for any kind of online service. I don't know anything that's 
changed that will make it easier for Choruss."

DOING THE MATH

If the licensing fees needed for Choruss to monetize P2P traffic total 
less than what universities are already paying to block it, that may 
change. According to a CCP study, private U.S. universities spend an 
average of more than $100,000 annually on software designed to block P2P 
activity on their networks and another $150,000 on hardware and staff 
salaries for these efforts. Public universities spend less -- about 
$25,000 for software and $64,000 for hardware and other fees.

For larger colleges like Ohio State University, which has more than 
53,000 students, even a monthly $1 Choruss fee per student would quickly 
exceed these figures if they were required to collect from all students 
without an opt-in feature. And that's not counting the cost of the 
technology needed to monitor which songs were downloaded.

Critics of college-focused music plans like CCP director Kenneth Green 
say it makes more sense to use existing commercial solutions like Hulu 
or iTunes than to develop customized solutions.

Whatever the answer, the music industry has to come up with something to 
offer universities soon. Barely 25 percent of public four-year colleges 
offer any alternatives to P2P services, according to Green's research.

With Ruckus gone and Choruss not yet available, that leaves a huge void 
to fill.

-- 
================================
George Antunes, Political Science Dept
University of Houston; Houston, TX 77204 
Voice: 713-743-3923  Fax: 713-743-3927
Mail: antunes at uh dot edu

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