More Viewers, Better Shows, Advertisers

By John M. Higgins
Broadcasting & Cable

7/17/2006

http://www.broadcastingcable.com/article/CA6353583.html


There's one thing virtually every TV executive can agree on: 
Video-on-demand will permanently change the way people watch and buy 
television.

Here's the thing few in the industry can agree on: a standard way to 
market, sell and ultimately profit from the hottest movies and TV shows now 
playing.

Cable operators and programmers disagree widely on such issues as pricing, 
advertising and marketing in the VOD business, which is only a decade or so 
old. Although many of these problems will ultimately be resolved, they're 
keeping business down.

For starters, cable operators could benefit greatly from more unity. 
Comcast, for example, is hyperaggressive, chasing broadcasters and putting 
thousands of hours on VOD servers for free; Cablevision, in contrast, is 
reserved, charging extra fees for VOD packages. Another complication: 
Comcast is working with one company, Rentrak, to develop ratings, while 
Time Warner is working with another, TNS.

Perhaps the most glaring obstacle is the dearth of hot content. Says David 
Zaslav, president of cable and new media distribution for NBC Universal, 
“When we lead [viewers] to the basket, the basket for the most case doesn't 
have the stuff that most people want. I think that's pretty dangerous. If 
you lead them to VOD and it has a lot of old movies and lot of old TV 
series and doesn't have 90% of what consumers want, they might not come back.”

TV executives identify three important steps necessary to turn VOD from a 
fledgling business into a profitable enterprise:

1. Bring more subscribers to the show. VOD is still short of critical mass. 
Brian Wieser, director of industry analysis for ad buyer Magna Global, 
estimates that around 26 million cable subscribers have bought 
digital-cable packages that include on-demand service. That's around 23% of 
the 110 million U.S. television homes.

That subscriber count is double since 2003's, but it's not quite the mass 
reach that will let operators pay for better programming or encourage 
advertisers to swarm in.

By comparison, executives at basic-cable networks, consider 50 million 
homes their threshold for success. Wieser predicts that virtually all 65 
million subscribers to have access to VOD by 2010 as operators push more 
customers to digital service that uses the system capacity more 
efficiently, but that's an aggressive estimate. Morgan Stanley analyst 
Richard Bilotti, among others, is far more conservative, predicting slow 
growth over the next four years, hitting just 28 million by 2010.

A major impediment to VOD penetration is satellite TV. DirecTV and EchoStar 
serve 29 million subscribers but simply don't have transmission capacity to 
offer real VOD. They imitate VOD by “pushing” 20 or 30 hours of movies and 
shows to subscribers' digital video recorders, but they can't offer the 
rich library of shows that will truly transform TV.

2. Start offering better shows and movies—faster. VOD servers are stuffed 
with shows like Style network's A Hilary Duff Inspired Sewing Room and 
rather light on hits like Lost or Desperate Housewives. Even basic-cable 
hit The Closer isn't available on-demand, aside from a behind-the-scenes 
interview promo.

Operators can readily strong-arm shows out of small cable networks, which 
need distribution and promotion. But systems have less leverage getting top 
product from broadcasters or even big basic-cable networks, which have a 
lot to lose if VOD cannibalizes their audience and advertising and they 
need to be compensated.

Right now, the most popular fare for VOD subscribers is HBO On Demand—which 
they get only if they already pay for HBO's conventional network—followed 
by music videos, kids programming and sports.

Network affiliates have limited the migration of top broadcast shows to 
VOD. Right now, Comcast is offering CBS and NBC primetime shows only in 
markets where those networks own and operate stations. In markets where the 
network outlet is owned by a Hearst Argyle or Gannett, cable systems get 
nothing. But CBS is working on a deal to cut affiliates in for a piece of 
VOD revenues.

The big money will come from more-favorable movie “windows.” Cable 
operators don't get films until after their DVD release because studios 
worry about their $14 billion home-video business.

Moving the cable window to the same “day-and-date” would juice sales. The 
breakthrough may come with Comcast, which has made movie windows a major 
point of negotiations to renew Disney's cable networks.

3. Create an advertising model. Top programming won't come until networks 
generate more revenue from VOD. Advertisers love VOD's promise of narrowly 
targeting audiences and tracking what viewers actually watch their 
commercials. That should command fat ad rates, but the VOD universe is 
still rather thin and audience measurement too limited. Research companies 
such as Rentrak measure some VOD watching but still can't give advertisers 
the minute data they really want, such as whether an ad was played back or 
simply skipped.

Still, advertisers are starting to experiment. General Motors has been the 
sole sponsor of CBS' cable on-demand programs. Gatorade and sneaker company 
New Balance sponsor Comcast VOD fitness channel ExerciseTV. Cox has worked 
with Wal-Mart to promote records.

More than anything, VOD offers advertisers flexibility. A car advertiser 
could tease viewers with a 30-second spot, then prompt them to click for a 
longer, 2- to 10-minute commercial packed with many more details and 
messages than could be run on a conventional network. Or the product could 
be woven very tightly into the programming itself, as Gatorade is doing in 
sports segments for ExerciseTV.

“The consumer behavior change is a big opportunity,” says NBC U's Zaslav. 
“We're flirting with missing our opportunity.”


================================
George Antunes, Political Science Dept
University of Houston; Houston, TX 77204
Voice: 713-743-3923  Fax: 713-743-3927
antunes at uh dot edu



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