And now for something completely different …

“The blues had a baby and they named it rock and roll” (Muddy Waters).
Sometime around the beginning of the 1950s, rock n’ roll started to
emerge (synthesising influences from jazz, blues, country and gospel)
and quickly developed into what is known as “rock music.” There
followed the creative explosion of the 60s, further development (Glam,
hard rock, progressive, reggae) as well as correctives (Punk) in the
70s, more new trends in the 80s (such as New Wave, indie, electronic)
and some new creative impulses in the 90s (Grunge, Britpop, world
music) and then …
[Whether one sees black music/r’n’b as a sub-group within rock (with a
somewhat different cultural history and development; blues, gospel,
Motown, soul, etc.), or as something basically different to rock music
is a matter of debate (personally I tend to the first
interpretation).]

Rock music has fractured into hundreds of genres, from Death Metal to
different varieties of techno. Hip hop (originally with a pedigree in
perceived US black alienation, now diversified world-, language- and
culture-wide) strikes me as being musically very limited. Commercial
pop remains as strong and parasitically creative as ever (contemporary
r’n’b sanitising a lot of rap/hip hop being one example), but, because
of its commercial imperatives, pop will never be really artistically
creative, feeding instead on new impulses which have, over the past
half century, usually been provided in the area known as “rock music.”

Over the past ten years or so, I have the feeling that rock is
creatively increasing running out of steam. The scene today seems to
be dominated, as I said, by different genres and, increasingly, by
aging dinosaurs, either repeating themselves (like U2 or REM) or
parodying themselves (as the Stones have been doing for decades).
Elton John and Phil Collins are now writing musicals. There’s a lot of
good new music out there, but nearly all of it seems to be no more
than very competent variations on themes intensively explored long
ago. Has the original inspiration of three chords and twelve bars;
electric guitar, bass, (keyboards) and drums, finally been mined out?

Or am I just getting old?

Francis

“When I hear the word gun, I reach for my culture.” (Malcolm
Muggeridge)


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