LOL Vam - had some else said this I would probably have responded by
saying musak is always merely a prelude!  As it was you I will just
say that you should have noticed there is always something
instrumental about women and one should proceed with the caution you
always advocate.  I prefer abandon.

On 23 Mar, 07:23, Vamadevananda <[email protected]> wrote:
> There is nothing cynical, Neil, about regarding the female form as the
> ultimate ' musical ' instrumental, of quite another kind. Just as, the
> females do unto the male form.
>
> Now, something about the ' music ' that proceeds ...
>
> On Mar 23, 11:53 am, archytas <[email protected]> wrote:
>
> > Bugger - now even the milk bottles outside my porch aren't safe from
> > the 'musak farties'!  I'm always struck that great orators invariably
> > turn out to be lying shits unless they get assassinated like JFK.  The
> > 'great musak' is much the same, mindless pap that infiltrates the mind
> > through the viscera and allows goons to communicate about what is neat
> > without ever working out anything real.  Some will think I only
> > pretend cynicism here, and that I believe music has its place.  That
> > place is right where the sun don't shine if you vomit the stuff into
> > my space.  Music was particularly awful amongst the communist block
> > protesters - it took me some time to realise the 'message'.  Later,
> > hearing even more tuneless and guileless dunnage than appreciated by
> > affecionados in here, I falsely believed the Burmese were about to
> > stage an uprising against the grim fascists oil companies have
> > installed there.  I was wrong - Burmese music is just truly dreadful.
> > If you should stray into a jazz club and find me there, it's only
> > because I have developed something of a taste for women who pretend to
> > like jazz ...
>
> > On 22 Mar, 04:38, Chris Jenkins <[email protected]> wrote:
>
> > > You would love my  girlfriend's compositions. She's a classical pianist 
> > > who loves to experiment with raw instrumentation like blowing across 
> > > bottles and various percussive objects. She and her best friend get 
> > > together and lay down free form tracks on a Saturday  night that rival 
> > > much of what I hear on experimental channels.
>
> > > [ Attached Message ]From:ornamentalmind 
> > > <[email protected]>To:"\"Minds Eye\"" 
> > > <[email protected]>Date:Sat, 21 Mar 2009 16:24:53 -0700 
> > > (PDT)Local:Sat 21 Mar 2009 23:24Subject:[Mind's Eye] Re: The slow death 
> > > of rock music
>
> > > "Nobody tops John Coltrane on sax...." - DJ
>
> > > Funny, when I came in to read this I was listening to him on Pandora!
> > > I played sax in a few jazz bands, but flute was my major instrument.
> > > I'm about as eclectic as possible when it comes to music. At one music
> > > school, as a student assistant working in the music library, I would
> > > look for the most unique LPs to listen to...Nunsuch etc.
> > > (sp?).....even things like rocks and bottles on strings, in the
> > > wind...anything fresh to hear.
> > > My stations on Pandora run from jazz to different specific classical
> > > styles, hard rock, Cleo Lane, Frank S, Beatles, Lute, Tellemann, the
> > > Stones, Spike Jones (for real! a great station for the eclectic at
> > > heart)...enough of my reverie.
>
> > > On Mar 21, 1:18 pm, Don Johnson <[email protected]> wrote:
>
> > > > Stanley Jordan uses this technique.  Very impressive to watch him
> > > > play.  Learned classical piano and switched to guitar in his teens.
> > > > I'm more of a Herbie Hancock fan over Miles Davis.  Empyrean Isles;
> > > > wow.  Miles is a genius but a bit discordant and weird for my tastes.
> > > > I was also very impressed with screamer Maynard Ferguson.  I spent
> > > > many an hour blowing my chops in high school trying to play Gonna Fly
> > > > Now like he did.  I was sad to see him go last year.  Dizzy
> > > > Gillespie's Flight of the Bumble Bee and A Night In Tunisia are also
> > > > personal favorites.  Those are my favorite horn players.
>
> > > > Nobody tops John Coltrane on sax.   He set the bar and nobody has ever
> > > > knocked it down or ever will.  The perfect relaxation music.  And so
> > > > sophisticated.  I like his work with vocalist John Hartman.  Simply
> > > > fabulous.
>
> > > > dj
>
> > > > On Sat, Mar 21, 2009 at 3:52 AM, Slip Disc <[email protected]> wrote:
>
> > > > > Never could get into that genre, but I guess it's the age
> > > > > differential.  I grabbed my first guitar around 1958 or so when the
> > > > > industry was still dominated by the crooners, Bing Crosby, Dean
> > > > > Martin, Sinatra, Pat Boone types, while Rock and Roll was wedging it's
> > > > > way in.  R&R was the bane of the WWII generation.  While I did get a
> > > > > good fill of the standards, I hated the Doo Wop sound and R&R seemed a
> > > > > bit like jingle music to me, as did the early Beatles, I want to hold
> > > > > your hand stuff.  I preferred early Stones, Eric Burden/Animals,
> > > > > Cream, Crosby Stills Nash, Hendrix, Dylan, Emerson Lake & Palmer,
> > > > > Blood Sweat and Tears, The Yardbirds, Motown and off road jazz styles
> > > > > like Thelonious Monk, Weather Report and others.  I was high schooling
> > > > > in nyc at the time so I spent much time at concerts in central park
> > > > > and hanging out in the village, when it was a cool place to be.
> > > > > Music was for a long time on the more gentler side when it all seemed
> > > > > to get dark and heavy, like the top blew off the pressure cooker, and
> > > > > anything and everything was go, a pandora's box. The waters became
> > > > > muddy without direction and so creativity and originality was a loose
> > > > > free for all.  It's been a roller coaster ride ever since.  I still
> > > > > play older Steely Dan, Doobie's with McDonald tunes and lots of
> > > > > instrumentals when I'm in the mood and listen to Miles Davis as a
> > > > > background when I'm busy with something else to do. I imagine that
> > > > > soon there will be someone to come up with something new but I think
> > > > > we've reached a state of confinement with the four piece band thing,
> > > > > Bass, Drums, Guitar, Keyboard.  If we don't incorporate some new
> > > > > instruments the sound may continue to flounder.  I thought the 10
> > > > > string Chapman Stick was going to go big but I only knew a few people
> > > > > who really grasped the instrument, even though the sound was great.
> > > > > Both hands play on the fret board by tapping the strings.  If your not
> > > > > familiar, here's a link where you could also check out some sample
> > > > > tracks.  http://www.stick.com/instruments/
>
> > > > >> Living in the West of Ireland, he put me and some of my friends in
> > > > >> touch with the exciting cutting edge of rock music. He made it
> > > > >> possible for me to hear stuff from the Sex Pistols and the Clash, at 
> > > > >> a
> > > > >> time where you couldn't hear punk in Ireland at all (that was before
> > > > >> the Radiators from Space and the Boomtown Rats started producing 
> > > > >> Irish
> > > > >> punk). Some years later I heard him pushing the Cocteau Twins and was
> > > > >> chuffed by the thought that I had discovered them before he did,
> > > > >> seeing them play live in the legendary Melkweg in Amsterdam in 1981.
>
> > > > >> He's on record as saying that "Teenage Kicks" from the Undertones was
> > > > >> the best rock single ever, and look what's happened to them - gone
> > > > >> over to the enemy with a vengance :-):
> > > > >>  http://en.wikipedia.org/wiki/Fergal_Sharkey
>
> > > > >> Although I officially don't believe in an afterlife, I'm sure John is
> > > > >> still spinning records in rock'n'roll heaven and giving his honest,
> > > > >> and not always complementary, opinions to all the other residents
> > > > >> there, as well as having a great time with a lot of old friends!
>
> > > > >> Francis
>
> > > > >> On 20 Mrz., 22:48, gabbydott <[email protected]> wrote:
>
> > > > >> > See how John Peel lives on:http://www.myspace.com/johnpeel
>
> > > > >> > On 20 Mrz., 14:29, frantheman <[email protected]> wrote:
>
> > > > >> > > So, maybe in the wonderful future, someone will have to explain 
> > > > >> > > this
> > > > >> > > to aspiring musicians? ;-)
>
> > > > >> > > Come in here, dear boy, have a cigar.
> > > > >> > > You're gonna go far, fly high,
> > > > >> > > You're never gonna die,
> > > > >> > > You're gonna make it if you try;
> > > > >> > > They're gonna love you.
> > > > >> > > Well I've always had a deep respect,
> > > > >> > > And I mean that most sincerely.
> > > > >> > > The band is just fantastic,
> > > > >> > > that is really what I think.
> > > > >> > > Oh by the way, which one's Pink?
> > > > >> > > And did we tell you the name of the game, boy,
> > > > >> > > We call it Riding the Gravy Train.
>
> > > > >> > > We're just knocked out.
> > > > >> > > We heard about the sell out.
> > > > >> > > You gotta get an album out.
> > > > >> > > You owe it to the people.
> > > > >> > > We're so happy we can hardly count.
> > > > >> > > Everybody else is just green,
> > > > >> > > Have you seen the chart?
> > > > >> > > It's a helluva start,
> > > > >> > > It could be made into a monster
> > > > >> > > If we all pull together as a team.
> > > > >> > > And did we tell you the name of the game, boy,
> > > > >> > > We call it Riding the Gravy Train.
>
> > > > >> > > Roger Waters (1975)
>
> > > > >> > > On 20 Mrz., 02:45, Slip Disc <[email protected]> wrote:
>
> > > > >> > > > Yeah there's much truth there about the industry.  The old 
> > > > >> > > > days of
> > > > >> > > > industry rule are gone and the old moguls are struggling to 
> > > > >> > > > compete.
> > > > >> > > > The internet has blown the doors open on creativity with self
> > > > >> > > > marketing getting easier all the time.  I used in the past PC 
> > > > >> > > > software
> > > > >> > > > for recording but back then the vocals weren't digitized.  Now 
> > > > >> > > > I play
> > > > >> > > > through a mixing board into a Boss BR8 optical out to a HHB 
> > > > >> > > > Burnit and
> > > > >> > > > usually 8 tracks is all I need for a four piece band and vocal
> > > > >> > > > harmonies.  I too far gone for superstardom but have fun just 
> > > > >> > > > the same
> > > > >> > > > while of course wishing I was young again to experience the
> > > > >> > > > opportunities available these days for talented individuals. 
> > > > >> > > > Back in
> > > > >> > > > the day the industry was only interested in marketable 
> > > > >> > > > prospects and
>
> ...
>
> read more »
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