Umm I think that emotional context must be subjective. Do we all feel the same emotions when listening to the same piece of music?
So I must ask does the composer have this emotional frame you speak of, or does he compose with his own emotions in mind? On the other hand I think we can agree that certian patterns of sound are well known for invokeing certian moods, so perhaps a little from coloumn A and a little from coloumn B? On Jun 30, 8:21 am, paradox <[email protected]> wrote: > Good questions; the author or composer must have a qualitative sense > of the emotional "frame" of the piece as he/she writes, presumably; > but its a marvel how they manage to reconstruct that qualia through > sound. > > On Jun 29, 6:24 pm, "pol.science kid" <[email protected]> wrote: > > > > > I know right.... music.... rhythm.... an immediate effect.... is it merely > > the systematic striking of chords... i am in awe.. of those who create > > music.... is music created... or is it there before the keys are struck ... > > the chords pulled... do we make music or do we simlply tune in.... i dont > > mean writing a song.... but a sonata perhaps.... where does it come from.... > > > On Wed, Jun 29, 2011 at 10:02 PM, paradox <[email protected]> wrote: > > > Today, i found myself completely lost in the magical wonderland of > > > Patrick Doyle's "My Fathers Favourite"; it is a breathtakingly > > > beautiful place indeed. Which got me thinking...what is it about > > > certain pieces of music that invoke in us an overwhelming emotional > > > landscape? > > > -- > > \--/ Peace- Hide quoted text - > > - Show quoted text -
