Let's just forget this, Don, okay? And thanks for the explanation. (Don't believe everything mothers tell their children, by the way!)
On Aug 7, 5:51 pm, Don Johnson <[email protected]> wrote: > Aw she's funny. And I thought it was pretty good commentary on the current > price of food. Sorry if that went over like a lead ballon. That's actually > one of my favorite musicals but it was funny to see it spoofed. I thought so > anyway. My mom always said I was different. > > dj > > > > On Sun, Aug 7, 2011 at 11:09 AM, rigsy03 <[email protected]> wrote: > > As what? Poor taste? Racism? Anti-Semitism? > > > On Aug 6, 9:48 pm, Don Johnson <[email protected]> wrote: > > > The very best of Gershwin. > > > >http://www.youtube.com/watch?v=wbDfH9pRrzY&playnext=1&list=PL60A4A2A8... > > > > My gift to you rigsy. > > > > dj > > > > On Thu, Jun 30, 2011 at 9:12 AM, rigsy03 <[email protected]> wrote: > > > > I love the Russians and some of the other passionate composers. I am > > > > after tempo but also the "reach" of melody as a longing. As for pop- I > > > > like Gershwin and witty lyrics- Porter, Rodgers and Hart. Dislike > > > > dissonance and wimpy love songs- often country western. Like soft rock > > > > prior to heavy metal and present noise. Like being seized and carried > > > > by music till my body is ready to dance away. > > > > > On Jun 30, 7:42 am, "[email protected]" <[email protected]> > > > > wrote: > > > > > Umm I think that emotional context must be subjective. Do we all > > feel > > > > > the same emotions when listening to the same piece of music? > > > > > > So I must ask does the composer have this emotional frame you speak > > > > > of, or does he compose with his own emotions in mind? > > > > > > On the other hand I think we can agree that certian patterns of sound > > > > > are well known for invokeing certian moods, so perhaps a little from > > > > > coloumn A and a little from coloumn B? > > > > > > On Jun 30, 8:21 am, paradox <[email protected]> wrote: > > > > > > > Good questions; the author or composer must have a qualitative > > sense > > > > > > of the emotional "frame" of the piece as he/she writes, presumably; > > > > > > but its a marvel how they manage to reconstruct that qualia through > > > > > > sound. > > > > > > > On Jun 29, 6:24 pm, "pol.science kid" <[email protected]> > > wrote: > > > > > > > > I know right.... music.... rhythm.... an immediate effect.... is > > it > > > > merely > > > > > > > the systematic striking of chords... i am in awe.. of those who > > > > create > > > > > > > music.... is music created... or is it there before the keys are > > > > struck ... > > > > > > > the chords pulled... do we make music or do we simlply tune > > in.... i > > > > dont > > > > > > > mean writing a song.... but a sonata perhaps.... where does it > > come > > > > from.... > > > > > > > > On Wed, Jun 29, 2011 at 10:02 PM, paradox <[email protected] > > > > > wrote: > > > > > > > > Today, i found myself completely lost in the magical wonderland > > of > > > > > > > > Patrick Doyle's "My Fathers Favourite"; it is a breathtakingly > > > > > > > > beautiful place indeed. Which got me thinking...what is it > > about > > > > > > > > certain pieces of music that invoke in us an overwhelming > > emotional > > > > > > > > landscape? > > > > > > > > -- > > > > > > > \--/ Peace- Hide quoted text - > > > > > > > - Show quoted text -- Hide quoted text - > > > > > > - Show quoted text -- Hide quoted text - > > > > - Show quoted text -- Hide quoted text - > > - Show quoted text -
