Realising we don't know what we are looking at would be the point in a mad 
world of deception.  

On Saturday, 27 September 2014 21:01:53 UTC+1, Molly wrote:
>
> Wonder if Tony Hancock felt confirmed in the end, still striving to find 
> Aphrodite at the water hole on the horizontal. What fun.
>
> On Saturday, September 27, 2014 11:30:52 AM UTC-4, Gabby wrote:
>>
>> Do we not? I don't know. Comic relief is the max you can achieve under 
>> the given title, I find myself confirmed.
>>
>> Am Samstag, 27. September 2014 schrieb Molly :
>>
>>> "None of you know what you're looking at!" A very good string of laughs 
>>> (at ourselves.)
>>>
>>> On Saturday, September 27, 2014 8:18:54 AM UTC-4, archytas wrote:
>>>>
>>>> Whisking produces material for quantum thought and experiment.  
>>>> Mayonnaise and how it sticks together lead to ideas the vacuum is not 
>>>> 'empty'.  We seem to have some brain function that purposively disrupts 
>>>> memory and the familiar for the imagination. In thinking of the future, 
>>>> one 
>>>> might think of such in which what is currently human only part of a fossil 
>>>> record and memories, not of intergalactic jet-set humans strutting soap 
>>>> opera in new technology.  There is something of this in your piece and its 
>>>> presentation that suggests more than the copying of conceptual,opinion in 
>>>> 'art talk' and shifts to the disruptive.
>>>>
>>>> This said, my favourite 'art film' was Tony Hancock's 'The Rebel'.  
>>>>
>>>> On Friday, 26 September 2014 03:51:08 UTC+1, facilitator wrote:
>>>>>
>>>>> Actually the "Egg Whisk" is the most common description I have heard.  
>>>>> The second one is a light bulb.  I suppose if both are applied to the 
>>>>> mind 
>>>>> it could flip either way.  Not offended in the least.  In fact, I look at 
>>>>> most art and say to myself "What the hell?"
>>>>>
>>>>> The title of the piece is:  "T'was Not The Question Asked, But The 
>>>>> Answer That Was Given"
>>>>>
>>>>> The Encryption:  
>>>>> *"Whattnemtnetnocisnraeltheotmeaningsiofrewsnalifeeht"*    This is 
>>>>> engraved into the metal.  I wanted people to think about what it was they 
>>>>> were looking at and also to challenge the mind beyond the first 
>>>>> impression.
>>>>>
>>>>> Here is how it is deciphered.  The first word is "What",  then you 
>>>>> proceed until you can form another word all the way to the end.  Then go 
>>>>> in 
>>>>> reverse and form words without using any of the previous letters.  I am 
>>>>> amazed at how some people figure it out quickly.  At an art show recently 
>>>>> I 
>>>>> had a man in a wheelchair look at it and say to me "OK what does it say"? 
>>>>>  
>>>>> I replied that it must be figured out, I don't give it away.  He didn't 
>>>>> attempt it but was extremely disappointed.
>>>>>
>>>>> The copper and brass wires represent a communication of sorts between 
>>>>> the seeker and the one who gives the answer.  The answer is being given 
>>>>> while the question is being asked.  
>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>> On Wednesday, September 24, 2014 5:14:13 AM UTC-4, andrew vecsey 
>>>>>>> wrote:
>>>>>>>>
>>>>>>>> I like your sculptures facilitator. You said that you put 
>>>>>>>> encryptions or quotations on some of them. Why don`t you include 
>>>>>>>> pictures 
>>>>>>>> of the sculptures along with the quotations of wise men that you would 
>>>>>>>> like 
>>>>>>>> to discuss?
>>>>>>>> How does your sculpture for "Beauty is not in the eye of the 
>>>>>>>> beholder but in the eye of the imaginative"  look like?
>>>>>>>> And what about the sculpture for your quote on "fame"?
>>>>>>>>
>>>>>>>>
>>>>>>>>  -- 
>>>
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