I thought the movie was terrific.  thanks for suggesting it.

On Sunday, September 28, 2014 10:46:13 AM UTC-4, archytas wrote:
>
> Realising we don't know what we are looking at would be the point in a mad 
> world of deception.  
>
> On Saturday, 27 September 2014 21:01:53 UTC+1, Molly wrote:
>>
>> Wonder if Tony Hancock felt confirmed in the end, still striving to find 
>> Aphrodite at the water hole on the horizontal. What fun.
>>
>> On Saturday, September 27, 2014 11:30:52 AM UTC-4, Gabby wrote:
>>>
>>> Do we not? I don't know. Comic relief is the max you can achieve under 
>>> the given title, I find myself confirmed.
>>>
>>> Am Samstag, 27. September 2014 schrieb Molly :
>>>
>>>> "None of you know what you're looking at!" A very good string of laughs 
>>>> (at ourselves.)
>>>>
>>>> On Saturday, September 27, 2014 8:18:54 AM UTC-4, archytas wrote:
>>>>>
>>>>> Whisking produces material for quantum thought and experiment.  
>>>>> Mayonnaise and how it sticks together lead to ideas the vacuum is not 
>>>>> 'empty'.  We seem to have some brain function that purposively disrupts 
>>>>> memory and the familiar for the imagination. In thinking of the future, 
>>>>> one 
>>>>> might think of such in which what is currently human only part of a 
>>>>> fossil 
>>>>> record and memories, not of intergalactic jet-set humans strutting soap 
>>>>> opera in new technology.  There is something of this in your piece and 
>>>>> its 
>>>>> presentation that suggests more than the copying of conceptual,opinion in 
>>>>> 'art talk' and shifts to the disruptive.
>>>>>
>>>>> This said, my favourite 'art film' was Tony Hancock's 'The Rebel'.  
>>>>>
>>>>> On Friday, 26 September 2014 03:51:08 UTC+1, facilitator wrote:
>>>>>>
>>>>>> Actually the "Egg Whisk" is the most common description I have 
>>>>>> heard.  The second one is a light bulb.  I suppose if both are applied 
>>>>>> to 
>>>>>> the mind it could flip either way.  Not offended in the least.  In fact, 
>>>>>> I 
>>>>>> look at most art and say to myself "What the hell?"
>>>>>>
>>>>>> The title of the piece is:  "T'was Not The Question Asked, But The 
>>>>>> Answer That Was Given"
>>>>>>
>>>>>> The Encryption:  
>>>>>> *"Whattnemtnetnocisnraeltheotmeaningsiofrewsnalifeeht"*    This is 
>>>>>> engraved into the metal.  I wanted people to think about what it was 
>>>>>> they 
>>>>>> were looking at and also to challenge the mind beyond the first 
>>>>>> impression.
>>>>>>
>>>>>> Here is how it is deciphered.  The first word is "What",  then you 
>>>>>> proceed until you can form another word all the way to the end.  Then go 
>>>>>> in 
>>>>>> reverse and form words without using any of the previous letters.  I am 
>>>>>> amazed at how some people figure it out quickly.  At an art show 
>>>>>> recently I 
>>>>>> had a man in a wheelchair look at it and say to me "OK what does it 
>>>>>> say"?  
>>>>>> I replied that it must be figured out, I don't give it away.  He didn't 
>>>>>> attempt it but was extremely disappointed.
>>>>>>
>>>>>> The copper and brass wires represent a communication of sorts between 
>>>>>> the seeker and the one who gives the answer.  The answer is being given 
>>>>>> while the question is being asked.  
>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>> On Wednesday, September 24, 2014 5:14:13 AM UTC-4, andrew vecsey 
>>>>>>>> wrote:
>>>>>>>>>
>>>>>>>>> I like your sculptures facilitator. You said that you put 
>>>>>>>>> encryptions or quotations on some of them. Why don`t you include 
>>>>>>>>> pictures 
>>>>>>>>> of the sculptures along with the quotations of wise men that you 
>>>>>>>>> would like 
>>>>>>>>> to discuss?
>>>>>>>>> How does your sculpture for "Beauty is not in the eye of the 
>>>>>>>>> beholder but in the eye of the imaginative"  look like?
>>>>>>>>> And what about the sculpture for your quote on "fame"?
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>  -- 
>>>>
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>>>

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