On Tue, 23 Nov 1999, jclw100 wrote:
> Here, here
Joanna - you spoke m'dear!
> Mark McNulty wrote:
> >
> > In message <[EMAIL PROTECTED]>, Dominic Broadhurst
> > <[EMAIL PROTECTED]> writes
> > >> It was really early mod stuff I must admit, but as you say, the great thing
> > >about it was that there
> > >> were rockabillies there as well
> > >hmm deffo good re music appreciation, fashion wise I leave you all to
> > >make up your own minds........
> > I'd rather see rockabillies who love their music rather than mods who
> > haven't got a clue i.e. some of the clueless mods I meet at Uptight week
> > in week out. If they haven't heard it before (and what they've heard is
> > very little) then they don't dance. Only weeks ago I could keep them
> > off the floor with tunes like Afex, Birds Birds, Jacques Dutronc and
> > Georgie Fame but then they visited The Mousetrap and realised that I had
> > been playing tracks that they were allowed to dance to all along. It
> > still pisses me off that I can clear a dance floor just because they've
> > never heard the tune before, they stand at the bar wandering what this
> > great new tune actually is but don't dance to it for another 3/4 weeks.
> > This week's first ever play (I got a copy at last) at Uptight was Etta
> > Jame's Seven Day Fool, and it cleared the fuckin' floor. Bloody muppet
> > mods.
> >
> > Mark.
> > --
> > Mark McNulty
>