[EMAIL PROTECTED] wrote:
> 
> > Yes this may be true. But wouldn't you say the state of rock and roll is 
> > 
> > 
> > particularly horrible at the moment? I know I'm pointing out the obvious 
> > 
> > 
> > observation. I was originally trying to make the correllation between 
> > this current state of rock and roll and how that relates to the ecomonic 
> > 
> > 
> > boom of the late 90's. And trying to speculate that the recession that 
> > Bush will be ushering in will hopefully spawn something more inspiring. 
> > I was hoping to discuss the future of rock and roll. I suppose I wasn't 
> > clear enough. I'll admit I'm not the greatest communicator via email...  
> > 
> > 
> 
> 
> The rock charts have sucked for a long time. Period. This ain't 
> something new.
> They suck now with Korn, etc....they sucked during grunge.....they 
> sucked during
> the hair metal bands...SO WHAT?  Ignore them if it gets you so uptight.
> Neither Bush nor Gore nor Nader have ANY effect on the charts.
> >  
> > > 
> 
> > > >  Though I've gotta say that from a purely musical perspective 
> > > > and my own personal opinion, most obscure music is obscure for good 
> > > > reason. A lot of it is utter rubbish. Most of them couldn't write a 
> > > > decent song to save their lives.
> > > 
> > > 
> > > OK, you just gave yourself away there.... dig a little deeper rather 
> > > than hide
> > > behind the tried-and-true "it didn't chart for a reason" excuse.
> > > 
> > How did I give myself away? I didn't actually say that only stuff that 
> > charted was any good. In fact, The Who rarely charted, Creation never 
> > charted, and some of the Kinks' best work and Ray Davies' most inspired 
> > songs never charted. I meant that a lot of the obscure stuff I've been 
> > exposed to had no song quality whatsoever. But I'll take your advice to 
> > dig a bit deeper and see where that leads me. Suggestions?
> > > > 
> 
> Actually ALL of those groups charted (in one country or another)  And to 
> 
> say that 
> Ray Davies' song catalog hasn't been given a fair shake (or the Who...) 
> is laughable.
> 
> What you said was...."Though I've gotta say that from a purely musical 
> perspective 
>  and my own personal opinion, most obscure music is obscure for good 
> reason. A lot of it is utter rubbish. Most of them couldn't write a 
> decent song to save their lives."  
> 
>  And THAT my friend is a load of malarkey.  There are any number of 
> reasons why a song could
> be obscure (ie...not charted or played on oldies stations).  This is not 
> 
> to say that "obscurity = good".
> But with the HUGE, HUGE amount of records released in the 60s....how 
> many can really
> expect to make airplay?  If you work "in the industry" then you must 
> know the millions of
> demo tapes floating around, right?  I would take ANY half-ass Northern 
> Soul throwaway,
> third-rate, Motown rip-off over an overblown Creed song ANYDAY.
> 
> I could give you suggestions, but I'm not feeling particularly generous 
> at the moment.
> The original question from Mr. Wallace was "is anybody listening to 
> anything NEW"
> by that he meant current I suppose.  I gave a couple of names 
> there...and I could probably
> think up a few more....but I don't LIKE most current music.  I find the 
> production
> PAINFUL to listen to.  I don't close my ears if I hear something I like, 
> 
> but I don't
> go searching anymore either.  There is just too much good stuff from the 
> 
> past that
> surprises me and gets me going.
> 
> 
> > Actually it was a serious question that had a cheeky lede. The actual 
> > question was not meant to be cheeky or my fallback defensive. If I was 
> > that obvious and that boring, why did you take the time to meticulously 
> > rip into every point of my post? 
> 
> 
> Because I find it fun to pop balloons.  Why did you?
> 
> 
> 
> Do you need to assert your utmost 
> > authority at every turn and go for the jugular at the slightest hint of 
> > someone's lesser thought out points? Not everyone has had your twenty or 
> > 
> > 
> > so years of exposure to music and involvement in the mod scene. Why not 
> > turn people on more to the things you're listening to and have 
> > experienced? There must be more that you're listening to than just the 
> > two groups you mentioned before. 
> 
> 
> There is plenty more that I listen to.  But I don't feel like sharing 
> with someone
> so confident that ignorance is bliss.   Maybe a month ago, I mentioned 
> the first
> Os Mutantes Lp on the Omplatten label.  It's just called "Os Mutantes" 
> and it's from 
> Brazil, '68.  It's not "mod" per se, but it is 60s....it is 
> obscure....it never charted 
> anywhere in North America....it has some great and innovative stuff 
> (some of
> which could be played alongside some of your indie faves) and I 
> guarantee you've
> never heard anything like it before.  Now go find your own treasures.
> It might take more effort than turning on the radio.
> 
> Dan
Well we could both go on and on about this but I guess we've 
sufficiently beat it into the ground. There are things I could comment 
on but wouldn't do anything to further this discussion so I'll let this 
thread die a dignified death...


-chris

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