Elmer Bernstein, Film Composer, Dead at 82
By BOB THOMAS, Associated Press Writer

LOS ANGELES - Film composer Elmer Bernstein, who
created a brawny, big-sky theme for "The Magnificent
Seven," nerve-jangling jazz for "The Man With The
Golden Arm" and heart-rending grace notes for "To Kill
a Mockingbird," has died.

Bernstein, whose prolific career spanned seven decades
and earned him 14 Academy Award nominations, an Oscar
win and an Emmy Award, died in his sleep at his Ojai
home Wednesday, said his publicist, Cathy Mouton. He
was 82.

Although he won an Oscar only once for the 1967 film
"Thoroughly Modern Millie" � considered one of his
weaker works � Bernstein was revered for experimenting
with various techniques that bolstered the films.

"It's one thing to write music that reinforces a film,
underscores it � the traditional sense of stressing,
underlining � or gives it added dramatic muscle,"
director Martin Scorsese once said. "It's entirely
another to write music that graces a film. That's what
Elmer Bernstein does, and that, for me, is his
greatest gift."

Among his more notable efforts were the scores for
"Some Came Running," "Birdman of Alcatraz," "The Great
Escape," "Hawaii," "The Great Santini," "Cast a Giant
Shadow," "My Left Foot," "A River Runs Through It,"
"Devil in a Blue Dress" and "The Age of Innocence." He
also composed several works for symphony orchestras.

In addition, he scored such movie classics as "The Ten
Commandments," "The Magnificent Seven," "To Kill a
Mockingbird," "The Great Escape" and "True Grit."
Other credits included "National Lampoon's Animal
House," "Airplane!," "Stripes," "Meatballs,"
"Ghostbusters," "Trading Places" and "The Rainmaker."

"Film music, properly done, should give the film a
kind of emotional rail on which to ride," Bernstein
told The Associated Press in a 2001 interview.
"Without even realizing that you're listening to music
that's doing something to your emotions, you will have
an emotional experience."

"To Kill a Mockingbird" presented Bernstein quite a
challenge. For six weeks he could find no way to
approach the story, which concerned racism and the
Depression in a small Southern town.

"Then I realized that the film was about these issues
but seen through the eyes of children," he once
recalled. "The simple score was played by a small
ensemble, at times employing single piano notes, much
like a child picking out a tune."

For "The Man with the Golden Arm," in which Frank
Sinatra played a heroin-addicted jazz musician, he
discarded the studio orchestra for a jazz ensemble.
For the landmark western "The Magnificent Seven,"
Bernstein composed a galloping march that remained
famous for years afterward in TV ads for Marlboro
cigarettes.

A piano prodigy who studied composing under Aaron
Copland in New York, Bernstein moved to Hollywood in
1950 to work on his first movie score, for the
football film "Saturday's Hero." After a few more
routine assignments he made his mark with the moody
music for the Joan Crawford thriller "Sudden Fear."
Although both hailed from New York, he was no relation
to the legendary composer Leonard Bernstein.

"That's a common question," Mouton said. "They were
friends and fellow New Yorkers, but they were not
related in any way."

A supporter of left-wing causes, Bernstein's career
was nearly destroyed by the Hollywood Red Hunt of the
1950s when he was summoned before a congressional
subcommittee and told to identify communists in the
film industry. He refused, saying he'd never attended
a Communist party meeting.

"I wasn't important enough to be blacklisted, so I was
put on a gray list," he once said.

Still, major studios refused to hire him, and he
resorted to turning out music for low-budget films
like "Robot Monster" and "Cat Women of the Moon."
Ironically, it was the vocally anti-communist director
Cecil B. De Mille who broke the gray list by hiring
Bernstein to replace the ailing Victor Young on "The
Ten Commandments."

De Mille asked him, "Do you think you can do for
Egyptian music what Puccini did for Japanese music in
`Madame Butterfly'?" The young composer accepted the
challenge, earning the first of his 14 Oscar
nominations in the process.

Through 200 movies and 80 television shows, Bernstein
would prove that he could adapt to any kind of music.
He won an Emmy Award in 1964 for "The Making of The
President: 1960."

He is survived by his wife, Eve, sons Peter and
Gregory, daughters Emilie and Elizabeth, and five
grandchildren.

A memorial service is pending.




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