Yes, I am the Distinguished Australian Gentleman.
Not sure why my handle has changed to my full moniker.
This week I have been working directly off my mail server
so perhaps it's reading something else.

Apologies for the confusion!

Phil (DAG)

Reest assuredOn Mon, 9 Jun 2008 21:04:50 -0700, Roger Kim wrote
> Oh, you're the guy from Australia! Thanks for clarifying. I thought we had a 
> NEW Mopoer named Philip Charles Edwards, since that is how your name recently 
> started showing up. I was thinking you must be some real distinguished 
> gentleman. Not that you aren't...but I didn't realize that you are the same 
> Phil Edwards that we've known all along. I'm sure this was obvious to 
> everyone else. 
> 
> -Roger
> 
> On Jun 9, 2008, at 8:57 PM, Philip Charles Edwards wrote: And the real use of 
> a proof, is that it can be checked by all the people needed to check that all 
> colours are correct, all spelling is correct, all contractual placements of 
> names and font sizes are correct..... all the proofs I received for posters I 
> had designed for both theatrical and video release in Australia (in the late 
> 80s/early 90s) and proofs of commissioned articles/publications were always 
> on better stock than the finished job once the proof was signed off as 
> correct. 
> 
> Untrimmed one sheets (or other posters) with the colour blocks for matching 
> and registration puposes (as Tom points out correctly in the pre-digital age 
> when separation films were used and plates made) are just that... it can be 
> 20 or 200 out of the press while final colour diddling can be done and 
> checked. 
> 
> Calling untrimmed one sheets " proofs" just makes them sound better. Most 
> real proofs are going to be residing in studio/distributor vaults (if they 
> bothered to keep them at all). 
> 
> Phil 
> 
> On Mon, 9 Jun 2008 20:20:42 -0700, allen day wrote 
> >

> > Howdy, 
> > 
> > The answer to your question is ... yes and no. 
> > 
> > In the printing department, printers pull them from the machines for future 
> > samples, checks on color registration, ink / print quality, and overall 
> > quality assurance / control. 
> > 
> > In the cutting department, cutters pull them because they keep samples of 
> > all posters, BTW ... the cutting department is every printing facility just 
> > happens to be close to the back door .. I'm not sure why.  
> > 
> > ad 
> > 
> > --- On Mon, 6/9/08, Douglas Ball <[EMAIL PROTECTED]> wrote: 
> > From: Douglas Ball <[EMAIL PROTECTED]> 
> > Subject: [MOPO] Proof or just untrimmed??? 
> > To: [email protected] 
> > Date: Monday, June 9, 2008, 9:05 PM 
> > 
> > 
> > Jeff Potokar kind of asked the difference of the two when describing what 
> > you call a poster that still has the printers color chart on the side of 
> > the poster. In the 7 years on MOPO, I don't think anyone has addressed this 
> > issue. 
> > Bruce, Dave Lieberman, Dan Richard, and others...in listings call them 
> > printers proofs, but as Jeff suggest, aren't they just untrimmed posters? 
> > 
> > Is there a difference? 
> > 
> > Doug Visit the MoPo Mailing List Web Site at www.filmfan.com 
> > ___________________________________________________________________ How to 
> > UNSUBSCRIBE from the MoPo Mailing List  Send a message addressed to: [EMAIL 
> > PROTECTED] In the BODY of your message type: SIGNOFF MOPO-L  The author of 
> > this message is solely responsible for its content. 
> >

> > Visit the MoPo Mailing List Web Site at www.filmfan.com 
> > ___________________________________________________________________ How to 
> > UNSUBSCRIBE from the MoPo Mailing List  Send a message addressed to: [EMAIL 
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> 
> -- 
> Nelson Bay Online (http://www.nelsonbay.com) 
> 
>  Visit the MoPo Mailing List Web Site at www.filmfan.com 
> ___________________________________________________________________ How to 
> UNSUBSCRIBE from the MoPo Mailing List  Send a message addressed to: [EMAIL 
> PROTECTED] In the BODY of your message type: SIGNOFF MOPO-L  The author of 
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>

-- 
Nelson Bay Online (http://www.nelsonbay.com)

 

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