I don't understand. Soon, paper will be rarely used. At least, used
much less often. Would that not make antique paper items all the more
rare? Stamps, posters, autographs... shouldn't we restore, protect,
and give high regard to these items? In my experience, if it's about
to become extinct, hang onto it. (Sort of like houses with land v.
houses on zero lot lines or solid wood furniture v. whatever that
stuff is they use today.)
I should think they would gain value now, except that the recession is
in the way. However, it's my prediction that as the use of paper is
slowly outmoded, our ephemera will increase in value. Especially when
the recession is over. It's not like a '56 T-Bird will increase,
because of the pain involved in getting it fueled (in the future).
Paper just hangs on the wall and will increase in value; no muss, no
fuss.
That's my take on it and that's why I haven't stopped spending in this
area.
Andrea
"Waste Not, Want Not" - RECYCLE
On Nov 30, 2008, at 5:26 PM, Bruce Hershenson wrote:
My 5 kids (age 4-15) read EC comics because their dad and grandpa
reprinted all of them, but otherwise they never read a single comic
book.
But all but the 4 year old are champions on every kind of video
game, and they have every kind of system, and so does just about
every other kid in this little town, and all over the world.
I had to laugh when I heard there was a "large type" edition of the
Comic Book Price Guide. When you and I were teens we were ridiculed
by all adults for wasting out time reading comic books, and now it
is mostly aging baby boomers who care about comics, and the kids
could care less!
Bruce
On Sun, Nov 30, 2008 at 4:21 PM, Richard Halegua Comic Art <[EMAIL PROTECTED]
> wrote:
yes Bruce, BLB's are also part of the historical lexicon of
collecting. As a matter of fact, BLB's and Pulps have the same
problem: only comic book collectors have an interest in them due to
the tie between the 3 hobbies.
But pulps are in worse shape than BLBs by virtue of % of issues
collected. There are something like 40,000 different pulp issues
from 1895-1955 (not including most digest sized titles of the
1950s). Only about 2000 of them are collected today and titles like
Argosy, Blue Book, Detective Fiction Weekly etc are hardly noticed
except for those trying to acquire specific authors. Most pulp
collecting is confined to Shadow, Doc Savage, Spider, Weird Tales,
Black Mask, Terror Tales etc. Even 95% of all Sci-Fi titles are dogs
and things like westerns are better used to keep your fireplace going
at least in BLBs there are very many with characters from comics.
But yes. all o fthese hobbies are on the way out. For younger
collectors, the most popular things will be video games in the
original boxes, and box art because like us, who collected comics &
posters etc because we had lots of fun with them as youngsters,
their generation is all about video.
At 02:09 PM 11/30/2008, Bruce Hershenson wrote:
Boy, you really are a ray of sunshine today! In your complete
dissing of all paper hobbies, and their inevitable doom (insert
maniacal laughter) you left out the deadest of all collectibles,
the Big Little Books. Find me a collector of those who is under 75
or so.
Bruce
P.S. I didn't much care for "My Side of the Mountain", but I loved
"The Other Side of the Mountain" and posters on both of these can
be had for a buck or two each, which is what makes this a fun
hobby. You can buy 30-40 year old posters from movies you liked for
little money, and what's wrong with that?
On Sun, Nov 30, 2008 at 3:50 PM, Richard Halegua Comic Art <[EMAIL PROTECTED]
> wrote:
I've been saying for the past 3-4 years.. maybe longer .. that
digital displays are the direction theatres will be headed
first of all, printing, shipping and storing posters are an expense
that studio owners would love to eliminate. Not to mention the
employees needed for such a distribution network.
these employees need to inventory, request out of stock posters
from other warehouses, have to take those rolls of 50 and pull 1-5
posters to send out to individual theaters etc.
shipping by truck after printing and then individually to theaters
is a greater expense than printing them
also, if a poster has a mistake, it has to be reprinted etc.
a digital display can be controlled by one central location by the
studio - out of the hands of theatre owners - to maintain a
consistent promotion from the theatres in Westwood to those in
Montauk and all the way to Japan, India and Australia with great
ease. A simple program can be set up to change the language fonts
When the studio wants to change the campaign, all they have to do
is create it in the central computer & feed it - simultaneously all
over the world
But then you go further. Digital displays can show trailers
intermingled with posters and can draw people who were just walking
past the theatre better than a static poster. Plus you can "gang
them up" creating ever larger displays with multiple digital
panels. How about driving into a mall & seeing 20 digital panels
fitted together to create an 8 foot by 20 foot display showing
trailers that can be seen across the parking lot. Literally an
outdoor cinema
The benefits of digital displays for theatres are endless. You have
a single upfront cost and then you never ship anything to the
theatre again and the same system that is used to feed the displays
can also be used to feed the film itself for digital theatres.
another savings
where does the hobby go?
well, it would be hard to say that it doesn't drop some, and
certainly newer collectors would be less likely
Look at the comics hobby. Marvel & DC publish fewer comics today
than they did during the 1940s. As a matter of fact, if you total
up all the comic books published and distributed for any month of
2008, it is fewer issues than a single issue of Captain Marvel sold
during WW2. (during WW2, Captain Marvel sold 2 million copies @
month. Current publishing by all companies is less than 1.5 million
@month. Another comic, Walt Disney's Comics & Stories had a print
run as high as 4 million for years from the 40s-50s) As a result of
fewer comic book readers (due to social changes- less people
reading anything), the comic book hobby is decreasing in size and
has been doing so for about 15 years.
The result is not the elimination of these hobbies, but serious
compression is indeed in the future. At some point Marvel & DC will
cease paper publication as will all newspapers and magazine. The
likely future is a mini-disc for a "reader" that you take wherever
you go, in addition to just reading online of course. When this
happens, millions of comics will devalue in a short period of time
(a few years). Fewer collectors means more unsold titles and
downsizing to just the most popular material for hardcore
collectors and historians. Superman comics will always be collected
at some level. the 1940s title Mystery Men will be a tiny niche for
historically oriented collectors only. The same will be for posters.
Younger people will stop buying posters. THat generation will have
digital displays so they can change whatever they want to show
Posters for the obvious titles will always sell. A poster after all
is the same as an "art print". so Frankenstein, Casablanca, Snow
White will always sell. Getting Gerties Garter however, or My Side
of the Mountain.. well they are hardly requested anyway. So the
hobby will compress as our generations die off, much like that
nearly forgotten hobby - pulp magazines
Rich
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