Bravo, Kirby! I could not agree more.

  richard



Richard Del Belso


 

> Date: Thu, 11 Jun 2009 09:36:48 -0500
> From: [email protected]
> Subject: [MOPO] Slightly OT: HD DVD pan and scan
> To: [email protected]
> 
> This is by Glenn Erickson from the website DVD Savant:
> 
> Hello! Well, Savant has run into something worth complaining about! I 
> DVR'd MGMHD's Hi-Def cablecast of Michael Powell's The Red Shoes a 
> couple of days ago and discovered something very disturbing. Ever 
> since about 1970 or so I've been a regular whiner about the practice 
> of Pan-Scanning widescreen movies for flat televisions, pointing out 
> ruined compositions, squeezed title sequences and the famous shots 
> where we see people's noses on each side of the frame while the Pan 
> Scan stays firmly planted on a table lamp at screen center. The 
> ability to see movies in their real aspect ratios is what pulled me 
> into the expensive hobby of laserdisc collecting; as I'm sure I've 
> said too many times, I bought a 16:9 television in 1995, two years 
> before enhanced DVDs came around, for the express purpose of cropping 
> full-frame transfers of movies that were supposed to be matted for 
> widescreen. Now, in 2009, widescreen TVs are finally the norm and the 
> transition is complete.
> 
> Except with what I saw with the 1948 The Red Shoes, a flat 4x3 1:37 
> aspect ratio feature film. MGMHD was showing it Tilt-Scanned to 1:78. 
> Somebody decided that Powell's classic looked nice at the wider ratio, 
> you know, to fill widescreen TV screens. MGM pillar-boxed The 
> Quatermass Xperiment full-frame, when it should be at least as wide as 
> 1:66, and now they've taken it upon themselves to chop up a widely 
> acknowledged classic. The Red Shoes is a ballet movie, and the first 
> thing that happens in many shots is that feet cross the line out of 
> the bottom of the frame. Masking off feet in a dance movie is a 
> serious problem, to say the least. When Powell and cameraman Jack 
> Cardiff get fancy with mattes, double exposures and strange angles, 
> the Tilt-Scanning makes it difficult to locate our intended focus. 
> This movie has just had a major restoration / repremiere, and doesnot 
> need to be "reformatted" to fit our TV screens".
> 
> So for heaven's sake, someone sic Martin Scorsese, Thelma Schoonmaker 
> and the disc producers at Criterion on these people ... let's not let 
> Tilt-Scanning get a foothold on HD video!
> 
> 
> 
> 
> 
> 
> 
> Kirby McDaniel
> 
> www.movieart.net
> 
> Visit the MoPo Mailing List Web Site at www.filmfan.com
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