If you are looking for a good revival house -- check out the Stanford Theater 
in Palo Alto:

http://www.stanfordtheatre.org

Thats quite a schedule for this summer!

Evan

----- Original Message -----
From: "Franc" <[email protected]>
To: [email protected]
Sent: Thursday, June 18, 2009 5:43:18 PM GMT -07:00 US/Canada Mountain
Subject: Re: [MOPO] Never a bigger year for Hollywood than 1939


You may be talking about the Phoenix or the Variety which are both gone or the 
Theatre St. Mark's which is also gone. Gone also are the New Yorker and the 
Thalia uptown, which sucked as a theater because it had rear-screen projection, 
but was a revival house nonetheless. Leonard Nimoy funded a Thalia screening 
room at Symphony Space but it's selection of films leaves something to be 
desired.  I stopped going to MOMA to see films but the museum staff ran the 
film program so unprofessionally and their house prints were the pits. There's 
really no place  to see any classic films in NYC on an on-going basis.  At 
least in Hollywood, the Egyptian is dedicated to preserving some of the history 
of the town. FRANC 



-----Original Message----- 
From: Richard Halegua Comic Art [mailto:[email protected]] 
Sent: Thursday, June 18, 2009 6:30 PM 
To: Franc; [email protected] 
Subject: Re: [MOPO] Never a bigger year for Hollywood than 1939 

I'm sad to hear that Franc.. It's one of the things I miss about "back home" in 
NYC that we had all those little theatres that showed French movies and such. 

there used to be a theatre on - I want to say 13th street - about 1st/2nd ave 
that showed that stuff (it was to be sure between 8th st & 14th street area).. 
Of course I'm talking  30 years ago. I used to see one of my favorite films "A 
Film About Jimi Hendrix"  - once or twice a year at that theatre..it was very 
small, maybe 300-400 seats. I also saw Claire's Knee there with my first 
girlfriend back when I was 17 or so.. 

I have no illusions that it's still there 


At 03:19 PM 6/18/2009, Franc wrote: 


There used to be a lot of really good revival houses in NY that showed the 
classics as well as lesser known titles. Do you know how many are around today? 
NONE. There's the Film Society of Lincoln Center but their choice of films has 
gotten extremely precious and eclectic, I suspect because nobody was going to 
see titles they could watch on DVD. It's too bad because watching films on 
television is just a different experience from watching films on big screens 
such as the one at Radio City Music Hall, which also does not show movies 
anymore.  Too bad. Generation X doesn't have any idea what they're missing. 
FRANC 
-----Original Message----- 
From: MoPo List [ mailto:[email protected] ] On Behalf Of David 
Kusumoto 
Sent: Thursday, June 18, 2009 5:09 PM 
To: [email protected] 
Subject: Re: [MOPO] Never a bigger year for Hollywood than 1939 

From: MoPo List [ mailto:[email protected] ] On Behalf Of David 
Kusumoto 
Sent: Thursday, June 18, 2009 5:09 PM 
To: [email protected] 
Subject: Re: [MOPO] Never a bigger year for Hollywood than 1939 

** Interesting theory, but I'm not quite buying it, unless it's an east vs. 
west coast cultural thing.  Last year I went to a Bette Davis centennial 
tribute hosted by AMPAS and Olivia de Havilland made a surprise visit, flying 
all the way from Paris to answer questions about her relationship with Bette -- 
and the place was packed even though there was no film to show, just a bunch of 
primo Bette clips; I also remember a screening of "The Graduate" that had lines 
snaking around the block at the AMPAS Samuel Goldwyn Theater in Beverly Hills 
(not to be confused with the Kodak Theater in Hollywood), even though the event 
sold out weeks in advance.  The stand-by line was ridiculous; that picture has 
been re-cycled on DVD many times and the audience was a mix of young and old; 
of course, for film buffs, the presence of theater director Mike Nichols and 
co-star Katherine Ross could've been a draw, but I remember being a little 
disappointed that Dustin Hoffman didn't show.  

  ** No, there's gotta be something else at play especially when L.A., which is 
hardly a mecca for high culture -- can outdraw NY for these vintage film 
beauties screened in an high quality environment.  The Goldwyn Theater is 
massive and everytime I go to these things, nearly every seat is filled; the 
sound system is great and people are polite.  This theater has magnificent 
one-sheets of the Best Picture winners on display, some linen-backed, and some 
not.  And there's always a roped off section for celebrities who show up -- 
upper middle center of the theater.  Probably the same set-up in NY, which I 
have to think is a superior experience to L.A. with its traffic problems and 
lack of live theater etiquette already prevalent mid-town.  

  ** With Robert Osbourne of TCM hosting the 1939 series in NY, I'm flummoxed.  
I don't pay much attention to the present-day interests of Generation X, Y or 
the New Millennials because I'm optimistic that if they like films at all, 
they'll eventually come around to appreciating the classics.  I remember as a 
pre-teen somewhat detesting B/W films until I saw Casablanca -- and that got 
the ball rolling.  $5 to see a pristine GWTW or Wizard of Oz print with 
big-time sound in a luxurious theater?  Shoot, I'd pay $20 or more for the same 
experience. 

  -d. 

  -----Original Message----- 
Date: Thu, 18 Jun 2009 15:37:55 -0400 
From: [email protected] 
Subject: Re: Never a bigger year for Hollywood than 1939 
To: [email protected] 

I think it's more than the economy. It's the availability of these titles on 
DVD and Generation X.  My father-in-law loves these movies but he'd just as 
soon watch them on his miniscule analog TV set at home and Generation X 
wouldn't know a good movie from StarTrek. FRANC 

-----Original Message----- 
From: MoPo List [ mailto:[email protected] ] On Behalf Of Toochis 
Morin 
Sent: Thursday, June 18, 2009 3:20 PM 
To: [email protected] 
Subject: Re: [MOPO] Never a bigger year for Hollywood than 1939 

From: MoPo List [ mailto:[email protected] ] On Behalf Of Toochis 
Morin 
Sent: Thursday, June 18, 2009 3:20 PM 
To: [email protected] 
Subject: Re: [MOPO] Never a bigger year for Hollywood than 1939 

It's a sad state of affairs in NYC.  The largest industry has been hit hard.  
Maybe that's the reason for the lack of enthusiasm.  I wish I were there to 
watch it! 

Toochis 

-----Original Message----- 

From: David Kusumoto [email protected] 
To: [email protected] 
Sent: Thursday, June 18, 2009 11:56:07 AM 
Subject: Re: [MOPO] Never a bigger year for Hollywood than 1939 

From: David Kusumoto [email protected] 
To: [email protected] 
Sent: Thursday, June 18, 2009 11:56:07 AM 
Subject: Re: [MOPO] Never a bigger year for Hollywood than 1939 

Thanks to all who wrote private notes about my post last night re: Hollywood's 
Greatest Year, 1939.  Honestly, I got the press release announcing the L.A. 
version of the 1939 series with clean prints and super sound -- and I thought I 
had a jump on everyone else -- but NO.  The tickets for the most popular 
showings were sold out online within minutes; I would LOVE to see most of these 
films on a big screen, which include shorts, cartoons, newsreels and other 
period pieces; it's the best buy anywhere.  I'm thinking that film buffs in in 
NY aren't interested in this thing because of traffic or whatever, I mean, some 
of the showings are on a weekday; but the public transit system can't be beat 
out there -- and the GWTW showing is on a Saturday afternoon with an 
intermission.  I was just puzzled, that's all.  -d. 

-----Original Message----- 
Date: Wed, 17 Jun 2009 22:16:04 -0700 
From: [email protected] 
Subject: Never a bigger year for Hollywood than 1939 
To: [email protected] 

** Amazingly -- the AMPAS 1939 Best Picture series in New York is -- as of this 
moment -- just two days before opening -- NOT sold out!   What's wrong with you 
guys back east?  

  ** Here in Southern California, the two most popular pictures nominated for 
Best Picture sold out instantly (GWTW and Wizard of Oz).  The tickets are dirt 
cheap, the accommodations are clean and spotless, the Academy screen is 
gigantic; the prints are the best -- with the only downside being no 
refreshments allowed inside (but that's always been a plus and THE policy at 
all AMPAS screenings; I prefer silence to to listening to tourists unwrapping 
candy bars or eating their smelly, nitrate-filled hot dogs).  Anyone in the 
Tri-state area should get out of work early and treat themselves for a great 
night at the movies.  For more info on the NYC screening at the Lighthouse 
International on 111 E. 59th St., visit: 

  http://www.oscars.org/events-exhibitions/events/2009/mnwo-bestpics1939.html 

  ** Like others out here, I've attended numerous AMPAS screenings -- and they 
are a spectacular value -- and they almost always have an extra bonus, e.g., 
surviving cast or crew members in a post-screening chat, sometimes autographs, 
etc.  Well worth attending for only 5 bucks -- you can even order your tickets 
online.  It's probably the only chance to see these 1939 beauties on a big 
screen with clean prints! 

  ** Thinking out loud -- I can't think of another year (1939) that comes 
closest to boasting a list of films that at least have a "ringing familiarity" 
to MoPoers.... 

  ** 1946 comes closest for me with The Postman Always Rings Twice, It's A 
Wonderful Life, Gilda, Best Years of Our Lives, The Killers, Notorious, The 
Razor's Edge, The Big Sleep, The Yearling, My Darling Clementime, Great 
Expectations, The Stranger, Brief Encounter (which had a 1946 release in the 
U.S.), Dark Corner, Somewhere in the Night, Diary of a Chambermaid, Bringing Up 
Father, To Each His Own, The Strange Love of Martha Hyers, and for Alan Ladd 
fans -- Two Years Before the Mast and the Blue Dahlia -- with Miracle on 34th 
Street sneaking under there but not really cuz it's a 1947 SUMMER release but I 
always lop it in there because 1946-1947 were great years for post-war 
Hollywood (where box-office attendance reached its peak, never to be topped 
again in America).  

  ** I can think of these titles for 1939 alone; those listed in BOLD were 
nominated for Best Picture (back then there were 10 nominees in this category): 
The Women 
Young Mr. Lincoln 
Gulliver's Travels 
Wizard of Oz 
Mr. Smith Goes to Washington 
Gone With the Wind 
Beau Geste 
Dark Victory 
Destry Rides Again 
Goodbye Mr. Chips 
Drums Along the Mohawk 
Hunchback of Notre Dame 
Ninotchka 
Only Angels Have Wings 
Of Mice and Men 
Love Affair 
Stanley and Livingstone 
Roaring Twenties 
Wuthering Heights 
Alexander Graham Bell 
Stagecoach 
Gunga Din 
Hound of the Baskervilles 
On Borrowed Time 

  That's a list would ordinarily cover several decades of greatness, let alone 
a single year.   Some films released that year were of course way better than 
others, and some aren't even classics; but I bet most MoPoer's will recognize 
nearly every title above -- which I think is remarkable when you consider 
"nearly" NONE of us were alive in 1939.  I'm an Oscar nut/amateur historian and 
I have to think really hard just to come up with the Best Picture nominees for 
2005 -- off the top of my head are Brokeback Mountain, Good Night, Good Luck, 
Capote (my fave that year) and Crash and I come up one short; I could look it 
up at IMDB but that would be cheating.  -d. 

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