Yes, I saw Dial M For Murder in dual projection 3-D at the Film Forum years 
ago. Excellent PQ and 3-D.

--- On Fri, 6/19/09, Franc <[email protected]> wrote:

From: Franc <[email protected]>
Subject: Re: [MOPO] Never a bigger year for Hollywood than 1939
To: [email protected]
Date: Friday, June 19, 2009, 7:16 AM



 
Message

#yiv380995802 .hmmessage P {
PADDING-RIGHT:0px;PADDING-LEFT:0px;PADDING-BOTTOM:0px;MARGIN:0px;PADDING-TOP:0px;}
#yiv380995802 {
FONT-SIZE:10pt;FONT-FAMILY:Verdana;}


Film Forum is 
great. I particularly like their 3D film festivals! FRANC

  
  -----Original Message-----
From: MoPo List 
  [mailto:[email protected]] On Behalf Of Todd 
  Feiertag
Sent: Friday, June 19, 2009 4:34 AM
To: 
  [email protected]
Subject: Re: [MOPO] Never a bigger year 
  for Hollywood than 1939

There's really no place  to see any classic films in NYC on 
  an on-going basis.  At least in Hollywood, the Egyptian is dedicated to 
  preserving some of the history of the town. FRANC
 
Franc,
 
Have you checked 
  out The Film Forum on Houston Street?  
http://www.filmforum.org/month.html
They have lots of films running seven days a week and 
  just recently ran a Tod Browning Festival on Monday nights for 6 weeks with 
  two different films each Monday.  They ran 35mm prints of THE DEVIL 
  DOLL, FREAKS, DRACULA, MARK OF THE VAMPIRE, THE UNHOLY 
  THREE and many Lon Chaney silent films.
 
Not in 
  New York City but just a 5 minute path ride to Journal Square in Jersey 
  City, New Jersey is THE LOEW'S JERSEY, an 80 year old movie palace 
  which doesn't run consistently like THE FILM FORUM but does run classic 
  films several times a month, has some great stuff running on their 
  50 foot screen with carbon arc projection.  They just had a 1000 
  people attend Universal's brand new print of THE UNINVITED and Hitchcock's 
  REBECCA.  Very recently they ran Fox's Vault Prints of NIAGARA, THE 
  GHOST AND MRS. MUIR and JOURNEY TO THE CENTER OF THE EARTH 
  (1959 version, of course) with actress, Arlene Dahl, star of 
  the film, in attendance.  These are all gorgeous new MINT 
  prints with the color ones looking like Technicolor.  They've run a lot 
  of great rare films including the Library of Congress print of THE OLD DARK 
  HOUSE, which is hardly ever shown anywhere and makes the Kino 
  DVD which is what TCM runs, look like crap.  They recently ran IT'S 
  A MAD, MAD, MAD, MAD WORLD, THE MOST DANGEROUS GAME, ISLAND OF LOST SOULS, a 
  bunch of Roger Moore James Bond films, etc. 
  etc.  
 
Here's their 
  website, but they are now off for the Summer and will start again in 
  September.  Since it's extremely easy to get there from NYC, there 
  are a ton of people at each show coming from the City.
 
    http://loewsjersey.org/component/option,com_frontpage/Itemid,1/  
  
 
 

 

  
  Date: Thu, 18 Jun 2009 19:43:18 -0400
From: [email protected]
Subject: 
  Re: [MOPO] Never a bigger year for Hollywood than 1939
To: 
  [email protected]


  You may 
  be talking about the Phoenix or the Variety which are both gone or the 
Theatre 
  St. Mark's which is also gone. Gone also are the New Yorker and the 
  Thalia uptown, which sucked as a theater because it had rear-screen 
  projection, but was a revival house nonetheless. Leonard Nimoy funded a 
  Thalia screening room at Symphony Space but it's selection of films leaves 
  something to be desired.  I stopped going to MOMA to see films but the 
  museum staff ran the film program so unprofessionally and their house 
  prints were the pits. There's really no place  to see any classic films 
  in NYC on an on-going basis.  At least in Hollywood, the Egyptian is 
  dedicated to preserving some of the history of the town. 
  FRANC
  
    
    -----Original Message-----
From: Richard Halegua Comic 
    Art [mailto:[email protected]] 
Sent: Thursday, June 18, 2009 
    6:30 PM
To: Franc; [email protected]
Subject: 
    Re: [MOPO] Never a bigger year for Hollywood than 
    1939

I'm sad to hear that Franc.. It's one of the things 
    I miss about "back home" in NYC that we had all those little theatres that 
    showed French movies and such.

there used to be a theatre on - I want 
    to say 13th street - about 1st/2nd ave that showed that stuff (it was to be 
    sure between 8th st & 14th street area).. Of course I'm talking  30 
    years ago. I used to see one of my favorite films "A Film About Jimi 
    Hendrix"  - once or twice a year at that theatre..it was very small, 
    maybe 300-400 seats. I also saw Claire's Knee there with my first 
girlfriend 
    back when I was 17 or so.. 

I have no illusions that it's still 
    there


At 03:19 PM 6/18/2009, Franc wrote:

    There used to be a lot 
      of really good revival houses in NY that showed the classics as well as 
      lesser known titles. Do you know how many are around today? NONE. There's 
      the Film Society of Lincoln Center but their choice of films has gotten 
      extremely precious and eclectic, I suspect because nobody was going to 
see 
      titles they could watch on DVD. It's too bad because watching films on 
      television is just a different experience from watching films on big 
      screens such as the one at Radio City Music Hall, which also does not 
show 
      movies anymore.  Too bad. Generation X doesn't have any idea what 
      they're missing. FRANC

      
        -----Original Message-----

        From: MoPo List [ 
        mailto:[email protected]] On Behalf Of David 
        Kusumoto

        Sent: Thursday, June 18, 2009 5:09 PM

        To: [email protected]

        Subject: Re: [MOPO] Never a bigger year for Hollywood than 
        1939


        ** Interesting theory, but I'm not quite buying it, unless it's 
        an east vs. west coast cultural thing.  Last year I went to a Bette 
        Davis centennial tribute hosted by AMPAS and Olivia de Havilland made a 
        surprise visit, flying all the way from Paris to answer questions about 
        her relationship with Bette -- and the place was packed even though 
        there was no film to show, just a bunch of primo Bette clips; I also 
        remember a screening of "The Graduate" that had lines snaking around 
the 
        block at the AMPAS Samuel Goldwyn Theater in Beverly Hills (not to be 
        confused with the Kodak Theater in Hollywood), even though the event 
        sold out weeks in advance.  The stand-by line was ridiculous; that 
        picture has been re-cycled on DVD many times and the audience was a mix 
        of young and old; of course, for film buffs, the presence of theater 
        director Mike Nichols and co-star Katherine Ross could've been a draw, 
        but I remember being a little disappointed that Dustin Hoffman didn't 
        show.  

        
  
        ** No, there's gotta be something else at play especially when 
        L.A., which is hardly a mecca for high culture -- can outdraw NY for 
        these vintage film beauties screened in an high quality 
        environment.  The Goldwyn Theater is massive and everytime I go to 
        these things, nearly every seat is filled; the sound system is great 
and 
        people are polite.  This theater has magnificent one-sheets of the 
        Best Picture winners on display, some linen-backed, and some not.  
        And there's always a roped off section for celebrities who show up -- 
        upper middle center of the theater.  Probably the same set-up in 
        NY, which I have to think is a superior experience to L.A. with its 
        traffic problems and lack of live theater etiquette already prevalent 
        mid-town.  

        
  
        ** With Robert Osbourne of TCM hosting the 1939 series in NY, 
        I'm flummoxed.  I don't pay much attention to the present-day 
        interests of Generation X, Y or the New Millennials because I'm 
        optimistic that if they like films at all, they'll eventually come 
        around to appreciating the classics.  I remember as a pre-teen 
        somewhat detesting B/W films until I saw Casablanca -- and that got the 
        ball rolling.  $5 to see a pristine GWTW or Wizard of Oz print with 
        big-time sound in a luxurious theater?  Shoot, I'd pay $20 or more 
        for the same experience.

        
  
        -d.

        
  
        -----Original Message-----

        Date: Thu, 18 Jun 2009 15:37:55 -0400

        From: [email protected]

        Subject: Re: Never a bigger year for Hollywood than 1939

        To: [email protected]


        I think it's more than the economy. It's the 
        availability of these titles on DVD and Generation X.  My 
        father-in-law loves these movies but he'd just as soon watch them on 
his 
        miniscule analog TV set at home and Generation X wouldn't know a good 
        movie from StarTrek. FRANC

        

        -----Original Message-----

        From: MoPo List [ 
        mailto:[email protected]] On Behalf Of Toochis 
        Morin

        Sent: Thursday, June 18, 2009 3:20 PM

        To: [email protected]

        Subject: Re: [MOPO] Never a bigger year for Hollywood than 
        1939


        It's a sad state of affairs in NYC.  The largest industry has 
        been hit hard.  Maybe that's the reason for the lack of 
        enthusiasm.  I wish I were there to watch it!


        Toochis


        -----Original Message-----


        From: David Kusumoto [email protected] 
        

        To: [email protected] 
        

        Sent: Thursday, June 18, 2009 11:56:07 AM

        Subject: Re: [MOPO] Never a bigger year for Hollywood than 
        1939


        Thanks to all who wrote private notes about my post last night re: 
        Hollywood's Greatest Year, 1939.  Honestly, I got the press release 
        announcing the L.A. version of the 1939 series with clean prints and 
        super sound -- and I thought I had a jump on everyone else -- but 
        NO.  The tickets for the most popular showings were sold out online 
        within minutes; I would LOVE to see most of these films on a big 
screen, 
        which include shorts, cartoons, newsreels and other period pieces; it's 
        the best buy anywhere.  I'm thinking that film buffs in in NY 
        aren't interested in this thing because of traffic or whatever, I mean, 
        some of the showings are on a weekday; but the public transit system 
        can't be beat out there -- and the GWTW showing is on a Saturday 
        afternoon with an intermission.  I was just puzzled, that's 
        all.  -d.


        -----Original Message----- 

        Date: Wed, 17 Jun 2009 22:16:04 -0700

        From: [email protected] 
        

        Subject: Never a bigger year for Hollywood than 1939

        To: [email protected]


        ** Amazingly -- the AMPAS 1939 Best Picture series in New York is 
        -- as of this moment -- just two days before opening -- NOT sold 
        out!  What's wrong with you guys back east?  

        
  
        ** Here in Southern California, the two most popular pictures 
        nominated for Best Picture sold out instantly (GWTW and Wizard of 
        Oz).  The tickets are dirt cheap, the accommodations are clean and 
        spotless, the Academy screen is gigantic; the prints are the best -- 
        with the only downside being no refreshments allowed inside (but that's 
        always been a plus and THE policy at all AMPAS screenings; I prefer 
        silence to to listening to tourists unwrapping candy bars or eating 
        their smelly, nitrate-filled hot dogs).  Anyone in the Tri-state 
        area should get out of work early and treat themselves for a great 
night 
        at the movies.  For more info on the NYC screening at the 
        Lighthouse International on 111 E. 59th St., visit:

        
  
        
http://www.oscars.org/events-exhibitions/events/2009/mnwo-bestpics1939.html 
        

        
  
        ** Like others out here, I've attended numerous AMPAS screenings -- 
        and they are a spectacular value -- and they almost always have an 
        extra bonus, e.g., surviving cast or crew members in a post-screening 
        chat, sometimes autographs, etc.  Well worth attending for only 5 
        bucks -- you can even order your tickets online.  It's probably the 
        only chance to see these 1939 beauties on a big screen with clean 
        prints!

        
  
        ** Thinking out loud -- I can't think of another year (1939) 
        that comes closest to boasting a list of films that at least have a 
        "ringing familiarity" to MoPoers....

        
  
        ** 1946 comes closest for me with The Postman Always Rings 
        Twice, It's A Wonderful Life, Gilda, Best Years of Our Lives, The 
        Killers, Notorious, The Razor's Edge, The Big Sleep, The Yearling, My 
        Darling Clementime, Great Expectations, The Stranger, Brief Encounter 
        (which had a 1946 release in the U.S.), Dark Corner, Somewhere in the 
        Night, Diary of a Chambermaid, Bringing Up Father, To Each His Own, The 
        Strange Love of Martha Hyers, and for Alan Ladd fans -- Two Years 
Before 
        the Mast and the Blue Dahlia -- with Miracle on 34th Street sneaking 
        under there but not really cuz it's a 1947 SUMMER release but I always 
        lop it in there because 1946-1947 were great years for post-war 
        Hollywood (where box-office attendance reached its peak, never to be 
        topped again in America).  

        
  
        ** I can think of these titles for 1939 alone; 
        those listed in BOLD were nominated for Best Picture (back then there 
        were 10 nominees in this category):

        The Women

        Young Mr. Lincoln

        Gulliver's Travels

        Wizard of Oz

        Mr. Smith Goes to Washington

        Gone With the Wind

        Beau Geste

        Dark Victory

        Destry Rides Again

        Goodbye Mr. Chips

        Drums Along the Mohawk

        Hunchback of Notre Dame

        Ninotchka

        Only Angels Have Wings

        Of Mice and Men

        Love Affair

        Stanley and Livingstone

        Roaring Twenties

        Wuthering Heights

        Alexander Graham Bell

        Stagecoach

        Gunga Din

        Hound of the Baskervilles

        On Borrowed Time

        
  
        That's a list would ordinarily cover several 
        decades of greatness, let alone a single year.  Some 
        films released that year were of course way better than others, and 
some 
        aren't even classics; but I bet most MoPoer's will recognize nearly 
        every title above -- which I think is remarkable when you consider 
        "nearly" NONE of us were alive in 1939.  I'm an Oscar nut/amateur 
        historian and I have to think really hard just to come up with the Best 
        Picture nominees for 2005 -- off the top of my head are Brokeback 
        Mountain, Good Night, Good Luck, Capote (my fave that year) and Crash 
        and I come up one short; I could look it up at IMDB but that would be 
        cheating.  -d.

        
        Visit the MoPo Mailing List Web Site at www.filmfan.com

        ___________________________________________________________________

        How to UNSUBSCRIBE from the MoPo Mailing List

        Send a message addressed to: [email protected]

        In the BODY of your message type: SIGNOFF MOPO-L

        The author of this message is solely responsible for its 
content.

        

      Visit the MoPo Mailing List Web Site at www.filmfan.com
___________________________________________________________________
How 
      to UNSUBSCRIBE from the MoPo Mailing List
Send a message addressed to: 
      [email protected]
In the BODY of your message type: 
      SIGNOFF MOPO-L
The author of this message is solely responsible for its 
      content.

  Visit the MoPo Mailing List Web Site at www.filmfan.com
  ___________________________________________________________________
  How to UNSUBSCRIBE from the MoPo Mailing List
  
  Send a message addressed to: [email protected]
  In the BODY of your message type: SIGNOFF MOPO-L
  
  The author of this message is solely responsible for its 
  content.


  
  Microsoft brings you a new way to search the web. Try Bing™ now 
  Visit the MoPo Mailing List Web Site at www.filmfan.com
  ___________________________________________________________________
  How to UNSUBSCRIBE from the MoPo Mailing List
  
  Send a message addressed to: [email protected]
  In the BODY of your message type: SIGNOFF MOPO-L
  
  The author of this message is solely responsible for its 
  content.
  Visit the MoPo Mailing List Web Site at www.filmfan.com
___________________________________________________________________
How to UNSUBSCRIBE from the MoPo Mailing List

Send a message addressed to: [email protected]
In the BODY of your message type: SIGNOFF MOPO-L

The author of this message is solely responsible for its content.



         Visit the MoPo Mailing List Web Site at www.filmfan.com
   ___________________________________________________________________
              How to UNSUBSCRIBE from the MoPo Mailing List
                                    
       Send a message addressed to: [email protected]
            In the BODY of your message type: SIGNOFF MOPO-L
                                    
    The author of this message is solely responsible for its content.

Reply via email to