Folks thanks to Jim Episale I have listed a MOVIE CAMER hand crank
sculpt On ebay as a tribute also to Karl Malkames.. he was a legendary
collector although I never met him I heard countless stories..
pleas take a LOOK at my hand made camer from FOUND parts.. its my art
form and I love to make cameras..
This camera has been funny a Los angels media company wanted me to
adhere a Plaque saying it was made soley for themm I refused as It was
made just to make as a piece or art..... so that deal fell.. then the
Kentucky derby wanted to Buy it... and then said... well we decide to
rent one..
then a Guy wanted one in Mass for a singin in the rain play.... they
decided to try and make one....9 Budget)
So I figured it was destiny when Jim Episale announced that Karl had
passe away and it seems like so befittig.. Like the camera was waiting
for its Close -up........ funny how life is...
so Hope you all like the camera and Its not the wood ones its a Black
metal one I call Black Beauty
sale stsrts at 200.00 NO reserve... comes with wood tripod a BOOK and
clapboard and Movie reel clock
and you ca see my Biography story on how I stated to make art from
discarded trash when I was 10
all one the seller id DREAMFACTORY ebay
jim episale wrote:
Karl Malkames, a cinematographer, inventor, film historian and
pioneering motion picture film preservationist, died March 8th at his
home in Scarsdale, N.Y. He was 83 years old.
Mr. Malkames was born in Hazelton, PA. on May 6th, 1926 to veteran
cameraman, Don Malkames and his then wife, Dorothy Klotz. His
childhood was surrounded by and immersed in the trappings of the early
motion picture industry. At the age of 16, he enlisted in the Navy
and thus followed a stint at Pearl Harbor and service as an
electronics technician aboard the submarine, U.S.S. Chopper. On June
6, 1948 he married his high school sweetheart, June Dougherty of
Hazelton, PA.
Upon his release from the Navy, he followed in his father's footsteps
and embarked on a career in motion pictures, serving as an assistant
cameraman - often to his father - working his way up to becoming a
cinematographer and a member of the American Society of
Cinematographers. Probably his most rewarding period behind the
camera was as a staff cameraman for Warner-Pathe News - a position he
held till the newsreel folded in 1956, a casualty of the advent of
television. His assignments behind the camera were numerous and
varied - providing second unit photography to such productions as the
1958 Robert Mitchum drive-in classic THUNDER ROAD (executing all the
memorable car chase sequences) as well as work on specialty
assignments such as 'old age' make-up tests of Dustin Hoffman for his
fabled role in 1970's LITTLE BIG MAN.
However it was his work in the then new field of film restoration and
preservation in which Mr. Malkames truly found his niche. His affinity
for films from the early days of the industry, coupled with a unique
facility for designing, adapting, building and operating
cinemachinery, resulted in his single-handedly saving literally
hundreds of films - usually too fragile or deteriorated to be handled
by then conventional methods. Much of the extensive output of The
Biograph Company (and thus the early work of D.W. Griffith) as well as
numerous other subjects, was preserved by Mr. Malkames for The Museum
of Modern Art. Along with Biograph - his most singular achievement for
MoMA was his preservation of the 1930 "Fox Grandeur" epic, THE BIG
TRAIL (starring a fledgling John Wayne) from the original 70mm camera
negative, which was found to be too shrunken to be copied. Mr.
Malkames spent an entire year on the project - from designing and
building a special printer, through to the painstaking reproduction of
the film. Also of note was his long association with film
historian-showman, Paul Killiam - for whom he restored dozens of
silent era classics for the Emmy-award winning television series, "The
Silent Years" - in which he also photographed the intros with Lillian
Gish. Key works by the likes of D.W. Griffith, Douglas Fairbanks,
Sr., Mary Pickford, John Barrymore, Buster Keaton, Clara Bow and Tom
Mix were saved for posterity thanks to his work with Killiam.
In 1979, Mr. Malkames wrote and produced a documentary, THE MOTION
PICTURE CAMERA - a loving tribute to silent era cinemachinery, which
showcases examples from his own family's comprehensive collection.
He had three children: His daughter, Marty Lawton, predeceased him in
2005 and he is survived by a son, Rick Malkames - also a
cinematographer, a daughter, Christine Malkames - a graphic artist,
eleven grandchildren, including Bruce Lawton who is a film historian,
and four great-grandchildren.
Check out our shop video
http://www.youtube.com/watch?v=0-n2AznLA8o
http://www.youtube.com/watch?v=lCP7PaO-2tk&feature=related
<http://www.youtube.com/watch?v=lCP7PaO-2tk&feature=related>
http://www.youtube.com/watch?v=fojAZcbvL7E&feature=related
<http://www.youtube.com/watch?v=fojAZcbvL7E&feature=related>
jim episale
Unshredded Nostalgia
323 South main St. Route 9
Barnegat, N.J. 08005
800-872-9990 609-660-2626
http://www.unshreddednostalgia.com
"Growing old is mandatory; growing up is optional."
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