SWIMMING POOL is worth seeing, and not just for Charlotte's  outstanding 
nudidity!



  ----- Original Message ----- 
  From: steve olson 
  To: [email protected] 
  Sent: Friday, June 11, 2010 1:57 PM
  Subject: [MOPO]


  Point Blank has some great posters for a newer noir also. As for Rampling, 
she looks great naked at the end of 2003 movie  Swimming Pool at age 57. 

   

  From: MoPo List [mailto:[email protected]] On Behalf Of Richard 
Evans
  Sent: Thursday, June 10, 2010 1:09 PM
  To: [email protected]
  Subject: [MOPO]

   

  Talking of recent, the 1 sht for The Last Seduction is a good one for a fine 
neo-noir.

   

   

  On 10 Jun 2010, at 20:58, John Waldman wrote:





  Rich,

  Actually, I was speaking of the one sheet for Farewell, My Lovely from 1975.  
With Robert Mitchum, and one of my favorite actresses, Charlotte Rampling.  I 
like the image on the poster of Mitchum looking out the window smoking, looking 
rumpled and tough.  Granted, a newer poster, but non the less, a noiresque 
movie and poster.

  A very affordable poster I might add.

  John W

   


------------------------------------------------------------------------------

  From: Richard Halegua Comic Art <[email protected]>
  To: John Waldman <[email protected]>; [email protected]
  Sent: Thu, June 10, 2010 3:10:37 PM
  Subject: Re: [MOPO]

  John means Murder My Sweet, which happens to be my #1 poster collection (I 
collect Raymond Chandler)

  however, while I love the movie and the poster is right in front of my desk 
when I'm working so I see it everyday, it is far from a great Noir 1sheet and I 
could think of many others which are better. However, in keeping with MMS, the 
3sheet on the title with a nightgown clad Claire Trevor with a smoking gun in 
her hand is tops!! and the half sheets are better noir posters than the 1sh

  other mentions:
  the Third Man 1s
  Brute Force half sheet with Lancaster over prison
  I Walk Alone halves
  DOA - the halves
  Gun Crazy (why isn't it on your list Steve)
  Captive City
  Kill or Be Killed

  after I get into my collection, I'll be able to list many others as I am very 
heavy with Noir


  At 12:00 PM 6/10/2010, John Waldman wrote:



  This Gun For Hire
   
  Farewell, My Lovely  
  John


  From: Richard Evans <[email protected]>
  To: [email protected]
  Sent: Thu, June 10, 2010 2:48:28 PM
  Subject: [MOPO]

  A few favourites: 

  The Big Sleep French Grande

  The Lost Weekend French Grande (Bat Style)

  In A Lonely Place Argentinean 1 Sht

  Gun Crazy 3 sht

  And of course, Out of Past 1 sht




  On 10 Jun 2010, at 07:49, steve olson wrote:




  Hello,
   
  I don’t post much but after reading Dark City (thanks to whomever suggested 
the book) I wanted an opinion of what noir posters MOPO’ers thought best 
evoked the spirit of noir’s. No, not necessarily the most beautiful (e.g. 
This Gun For Hire 1sh) nor the best images of the stars (e.g. Gilda) but the 
posters that capture the fatalism, grim streets, desperation, duplicity, 
temptation, and broken hopes which inhabit Dark City.
   
  Now to start the abused and discarded, deflated, never quite reaching the top 
of the hill before rolling into oblivion noir ball rolling-
   
  1.     Cry of the City (20th Century Fox, 1948). Half sheet or insert- best 
image of noir photographic style?
  2.     The killing.  half sheet-  luridly colored corpses make for the 
meanest of noir posters
  3.     Stranger on the Third Floor (RKO, 1940). One Sheet-  1st noir also has 
the 1st great noir poster
  4.     D.O.A.  3 sheet (1 sheet and half are also great, w/ the half having a 
toe tag around his body)
  5.     Nightmare alley.  insert- meaner Powers face than the 1 sheet.
  6.     Night Has a Thousand Eyes (Paramount, 1948). One sheet- with all the 
eyes
  7.     The Big Combo (Allied Artists, 1955). Half Sheet – fatalism, femme 
fatale, dark streets 
  8.     Mystery Street (MGM, 1950). One Sheet- great noir art for an 
inexpensive poster
  9.     Kiss of death. 1 sheet- at least one great poster is in black and white
  10.   Raw Deal (Eagle Lion, 1948). One sheet- very raw
  11.   I Walk Alone (Paramount, 1948). One sheet- vivid
  12.   T-Men. One sheet- kitchen sink of noir posters
  13.   Killer’s Kiss. 1sheet- cold as you would expect from Kubrick and an 
ax (Here’s Johnny!!)
  14.   The Devil Thumbs a Ride (RKO, 1947). 1 sheet- is Lawrence Tierney Ben 
Affleck’s evil noir alter-ego?
   
   
  I stuck to USA posters  since noir’s are mostly an American phenomenon. 
Otherwise the Italians(The Enforcer 2 folio, High Sierra (R-1949).  2  Folio,  
Knock on Any Door (Columbia, 1949)2 – Folio) might have had a few well deserved 
entries.. I also didn’t include tc/lc’s but would love feedback as to some 
of the best. Two of my favorite are the lc of Night of the Hunter w/  Mitchum 
close-up (love/ hate) and lc of The 3rd Man with Harry Lime (Welles) looking 
like the trapped rat he was.
   
  All opinions will be treated civilly except the ones I don’t agree with.
  Steve Olson
   

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