I have the Swimming Pool DVD, but I haven't gotten around to watching it.  
Since it's getting a thumbs up here, I'll have to work it into my movie 
watching rotation.
John




________________________________
From: Phil Edwards <[email protected]>
To: [email protected]
Sent: Fri, June 11, 2010 12:43:31 AM
Subject: [MOPO]

 
SWIMMING POOL is worth seeing, and not just for Charlotte's  outstanding 
nudidity!
 
 
 
----- Original Message ----- 
>From: steve olson 
>To: [email protected] 
>Sent: Friday, June 11, 2010 1:57 PM
>Subject: [MOPO]
>
>
>Point Blank has some great posters for a newer noir also. As for Rampling, she 
>looks great naked at the end of 2003 movie  Swimming Pool at age 57. 
> 
>From:MoPo List [mailto:[email protected]] On Behalf Of Richard Evans
>Sent: Thursday, June 10, 2010 1:09 PM
>To: [email protected]
>Subject: [MOPO]
> 
>Talking of recent, the 1 sht for The Last Seduction is a good one for a fine 
>neo-noir.
> 
> 
>On 10 Jun 2010, at 20:58, John Waldman wrote:
>
>
>
>Rich,
>Actually, I was speaking of the one sheet for Farewell, My Lovely from 1975.  
>With Robert Mitchum, and one of my favorite actresses, Charlotte Rampling.  I 
>like the image on the poster of Mitchum looking out the window smoking, 
>looking rumpled and tough.  Granted, a newer poster, but non the less, a 
>noiresque movie and poster.
>A very affordable poster I might add.
>John W
> 
>
________________________________

>From: Richard Halegua Comic Art <[email protected]>
>To: John Waldman <[email protected]>; [email protected]
>Sent: Thu, June 10, 2010 3:10:37 PM
>Subject: Re: [MOPO]
>
>John means Murder My Sweet, which happens to be my #1 poster collection (I 
>collect Raymond Chandler)
>
>however, while I love the movie and the poster is right in front of my desk 
>when I'm working so I see it everyday, it is far from a great Noir 1sheet and 
>I could think of many others which are better. However, in keeping with MMS, 
>the 3sheet on the title with a nightgown clad Claire Trevor with a smoking gun 
>in her hand is tops!! and the half sheets are better noir posters than the 1sh
>
>other mentions:
>the Third Man 1s
>Brute Force half sheet with Lancaster over prison
>I Walk Alone halves
>DOA - the halves
>Gun Crazy (why isn't it on your list Steve)
>Captive City
>Kill or Be Killed
>
>after I get into my collection, I'll be able to list many others as I am very 
>heavy with Noir
>
>
>At 12:00 PM 6/10/2010, John Waldman wrote:
>
>
>This Gun For Hire
> 
>Farewell, My Lovely  
>John
>
>
>From: Richard Evans <[email protected]>
>To: [email protected]
>Sent: Thu, June 10, 2010 2:48:28 PM
>Subject: [MOPO]
>
>A few favourites: 
>
>The Big Sleep French Grande
>
>The Lost Weekend French Grande (Bat Style)
>
>In A Lonely Place Argentinean 1 Sht
>
>Gun Crazy 3 sht
>
>And of course, Out of Past 1 sht
>
>
>
>
>On 10 Jun 2010, at 07:49, steve olson wrote:
>
>
>
>Hello,
> 
>I don’t post much but after reading Dark City (thanks to whomever suggested 
>the book) I wanted an opinion of what noir posters MOPO’ers thought best 
>evoked the spirit of noir’s. No, not necessarily the most beautiful (e.g. 
>This Gun For Hire 1sh) nor the best images of the stars (e.g. Gilda) but the 
>posters that capture the fatalism, grim streets, desperation, duplicity, 
>temptation, and broken hopes which inhabit Dark City.
> 
>Now to start the abused and discarded, deflated, never quite reaching the top 
>of the hill before rolling into oblivion noir ball rolling-
> 
>1.     Cry of the City (20th Century Fox, 1948). Half sheet or insert- best 
>image of noir photographic style?
>2.     The killing.  half sheet-  luridly colored corpses make for the meanest 
>of noir posters
>3.     Stranger on the Third Floor (RKO, 1940). One Sheet-  1st noir also has 
>the 1st great noir poster
>4.     D.O.A.  3 sheet (1 sheet and half are also great, w/ the half having a 
>toe tag around his body)
>5.     Nightmare alley.  insert- meaner Powers face than the 1 sheet.
>6.     Night Has a Thousand Eyes (Paramount, 1948). One sheet- with all the 
>eyes
>7.     The Big Combo (Allied Artists, 1955). Half Sheet – fatalism, femme 
>fatale, dark streets 
>8.     Mystery Street (MGM, 1950). One Sheet- great noir art for an 
>inexpensive poster
>9.     Kiss of death. 1 sheet- at least one great poster is in black and white
>10.   Raw Deal (Eagle Lion, 1948). One sheet- very raw
>11.   I Walk Alone (Paramount, 1948). One sheet- vivid
>12.   T-Men. One sheet- kitchen sink of noir posters
>13.   Killer’s Kiss. 1sheet- cold as you would expect from Kubrick and an ax 
>(Here’s Johnny!!)
>14.   The Devil Thumbs a Ride (RKO, 1947). 1 sheet- is Lawrence Tierney Ben 
>Affleck’s evil noir alter-ego?
> 
> 
>I stuck to USA posters  since noir’s are mostly an American phenomenon. 
>Otherwise the Italians(The Enforcer 2 folio, High Sierra (R-1949).  2  
>Folio,  Knock on Any Door (Columbia, 1949)2 – Folio) might have had a few well 
>deserved entries.. I also didn’t include tc/lc’s but would love feedback 
>as to some of the best. Two of my favorite are the lc of Night of the Hunter 
>w/  Mitchum close-up (love/ hate) and lc of The 3rd Man with Harry Lime 
>(Welles) looking like the trapped rat he was.
> 
>All opinions will be treated civilly except the ones I don’t agree with.
>Steve Olson
> 
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