I have always felt that Bolt's screenplay in "Lawrence" is not just good, but 
spectacular.  There's a reason why it remains in the top ten lists of the 
greatest films ever made.  It is so far ahead of its time with its ambiguous 
portrait of Lawrence that it feels timeless and undated.  In fact, the parts 
that linger on the visual majesty of the desert or the battle scenes sometimes 
drags down the pacing.  I've always felt (and I know there is debate about 
this), that despite my love for Gregory Peck, who won Best Actor that year, 
that Peter O'Toole's performance in Lawrence is simply electric and drop-dead 
perfect.  And what an ending!  It disappoints many, but it is an anti-climax 
that is faithful to the integrity of where Lawrence's story HAD to go.  Can you 
imagine some corn-ball U.S.-tinkering happy ending tacked on to make Lawrence's 
efforts uplifting and redemptive?  

A generalization, but I think the Brits have a knack for making wonderfully 
written films that - as I wrote last year - are masked when they're budgeted by 
American dollars and cast (e.g., Anthony Quinn, who was a major star here in 
1962) to draw an American audience.  Astoundingly, the country-of-origin and 
first printing of "Lawrence" is the U.S.A. like "Bridge over the River Kwai" 
(which was cast budgeted to include William Holden) - despite being thoroughly 
British in tone and sensibility.  Hence my obsession with "country-of-origin" 
posters which I treat like first edition books regardless of less than 
attractive art.  I'm bitter that the beginning of Carol Reed's "The Third Man" 
was butchered by Selznick when it was released in the U.S.; the British version 
is superior.  But at least in the case of the wonderfully written "Third Man" 
-- the country-of-origin is rightfully the U.K.

Date: Sat, 12 Jun 2010 11:57:20 -0500
From: [email protected]
Subject: Re: OT; BLIGH ME, GUVNOR
To: [email protected]

I think Bolt started the screenplay for The Bounty, but had a stroke and the 
eventual film contains little of his original writing.

I imagine the movie with a screenplay by the Bolt of the early 1960s, and it 
would have been wonderful.


I first read the three novels by Charles Nordhoff and James Norman Hall (Mutiny 
on the Bounty, Men Against the Sea, and Pitcairn's Island) as a teen, and I 
know there is still a great series of movies (or an epic TV mini-series) 
waiting to be made of the entire story (only parts of which were addressed in 
the earlier versions).


Bruce

On Sat, Jun 12, 2010 at 8:50 AM, Kirby McDaniel <[email protected]> wrote:

He also co-wrote the script for THE BOUNTY (1984), the mutiny on the HMS Bounty 
story, which David Lean had always wantedto film, but was never able to get 
financed.

This film takes a fuller look at the BOUNTY epic, and is enjoyable enough, 
directed by Roger Donaldson.  But one can only imagine that tale with the Lean 
camera and editing synergy and perfectionist sensibility.  Maybe the
financiers remembered all too well the MGM experience with the Brando version.  
I have always liked that version.
LEAN went on to make A PASSAGE TO INDIA, a thoroughly wonderful film, in my 
opinion.  I think that'sout on BLU - RAY now.
K.
On Jun 12, 2010, at 7:49 AM, Bruce Hershenson wrote:

Robert Bolt, who wrote Lawrence, quickly followed with Doctor Zhivago, A Man 
for All Seasons
 (from his earlier play), and Ryan's Daughter, a pretty amazing string of 
wonderful screenplays.

Of course he didn't manage to include a tagline as great as "Get off my lawn!" 
in any of them, but he did his best.



Bruce

On Sat, Jun 12, 2010 at 1:06 AM, Phil Edwards <[email protected]> wrote:









Odd, we nearly always think of LAWRENCE in terms of 
its epic scope and spectacular visuals, but it has one of the most literate 
andprecise screenplays of almost any film I can think 
of.

  ----- Original Message ----- 
  From: 
  Kirby 
  McDaniel 
  To: [email protected] 
  
  Sent: Saturday, June 12, 2010 2:06 
  PM
  Subject: [MOPO] OT; BLIGH ME, 
GUVNOR
  

  Tony Hayward:  I am reminded of the wonderful line 
  Claude Rains (Dryden) gets in LAWRENCE:
  
  
Prince 
  Feisal: You, I suspect, are chief 
  architect of this compromise. What do you think? 
Mr. Dryden: Me, your Highness? On the whole, I wish I'd stayed in 
  Tunbridge Wells. 
  
http://www.theonion.com/articles/massive-flow-of-bullshit-continues-to-gush-from-bp,17564/
  

                                          
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