Quite right; we can always learn something from our former owners!

K.
On Jun 13, 2010, at 2:28 PM, [email protected] wrote:

> Might I point out to our colonial cousins it is Blimey! Not Bligh Me.
> 
> 
> 
> 
> 
> -----Original Message-----
> From: Richard Halegua Comic Art <[email protected]>
> To: [email protected]
> Sent: Sat, 12 Jun 2010 20:26
> Subject: Re: [MOPO] OT; BLIGH ME, GUVNOR
> 
> I agree David
> 
> Bridge on the River Kwai being a good example. No happy ending there
> 
> 
> At 11:38 AM 6/12/2010, David Kusumoto wrote:
>> I have always felt that Bolt's screenplay in "Lawrence" is not just good, 
>> but spectacular.  There's a reason why it remains in the top ten lists of 
>> the greatest films ever made.  It is so far ahead of its time with its 
>> ambiguous portrait of Lawrence that it feels timeless and undated.  In fact, 
>> the parts that linger on the visual majesty of the desert or the battle 
>> scenes sometimes drags down the pacing.  I've always felt (and I know there 
>> is debate about this), that despite my love for Gregory Peck, who won Best 
>> Actor that year, that Peter O'Toole's performance in Lawrence is simply 
>> electric and drop-dead perfect.  And what an ending!  It disappoints many, 
>> but it is an anti-climax that is faithful to the integrity of where 
>> Lawrence's story HAD to go.  Can you imagine some corn-ball U.S.-tinkering 
>> happy ending tacked on to make Lawrence's efforts uplifting and redemptive?  
>> 
>> A generalization, but I think the Brits have a knack for making wonderfully 
>> written films that - as I wrote last year - are masked when they're budgeted 
>> by American dollars and cast (e.g., Anthony Quinn, who was a major star here 
>> in 1962) to draw an American audience.  Astoundingly, the country-of-origin 
>> and first printing of "Lawrence" is the U.S.A. like "Bridge over the River 
>> Kwai" (which was cast budgeted to include William Holden) - despite being 
>> thoroughly British in tone and sensibility.  Hence my obsession with 
>> "country-of-origin" posters which I treat like first edition books 
>> regardless of less than attractive art.  I'm bitter that the beginning of 
>> Carol Reed's "The Third Man" was butchered by Selznick when it was released 
>> in the U.S.; the British version is superior.  But at least in the case of 
>> the wonderfully written "Third Man" -- the country-of-origin is rightfully 
>> the U.K.
>> 
>> Date: Sat, 12 Jun 2010 11:57:20 -0500
>> From: [email protected]
>> Subject: Re: OT; BLIGH ME, GUVNOR
>> To: [email protected]
>> 
>> I think Bolt started the screenplay for The Bounty, but had a stroke and the 
>> eventual film contains little of his original writing.
>> 
>> I imagine the movie with a screenplay by the Bolt of the early 1960s, and it 
>> would have been wonderful.
>> 
>> I first read the three novels by Charles Nordhoff and James Norman Hall 
>> (Mutiny on the Bounty, Men Against the Sea, and Pitcairn's Island) as a 
>> teen, and I know there is still a great series of movies (or an epic TV 
>> mini-series) waiting to be made of the entire story (only parts of which 
>> were addressed in the earlier versions).
>> 
>> Bruce
>> 
>> On Sat, Jun 12, 2010 at 8:50 AM, Kirby McDaniel <[email protected]> wrote:
>> He also co-wrote the script for THE BOUNTY (1984), the mutiny on the HMS 
>> Bounty story, which David Lean had always wantedto film, but was never able 
>> to get financed.
>> 
>> This film takes a fuller look at the BOUNTY epic, and is enjoyable enough, 
>> directed by Roger Donaldson.  But one can only imagine that tale with the 
>> Lean camera and editing synergy and perfectionist sensibility.  Maybe the
>> financiers remembered all too well the MGM experience with the Brando 
>> version.  I have always liked that version.
>> 
>> LEAN went on to make A PASSAGE TO INDIA, a thoroughly wonderful film, in my 
>> opinion.  I think that'sout on BLU - RAY now.
>> 
>> K.
>> 
>> On Jun 12, 2010, at 7:49 AM, Bruce Hershenson wrote:
>> 
>> Robert Bolt, who wrote Lawrence, quickly followed with Doctor Zhivago, A Man 
>> for All Seasons (from his earlier play), and Ryan's Daughter, a pretty 
>> amazing string of wonderful screenplays.
>> 
>> Of course he didn't manage to include a tagline as great as "Get off my 
>> lawn!" in any of them, but he did his best.
>> 
>> Bruce
>> 
>> On Sat, Jun 12, 2010 at 1:06 AM, Phil Edwards <[email protected]> wrote:
>> Odd, we nearly always think of LAWRENCE in terms of its epic scope and 
>> spectacular visuals, but it has one of the most literate andprecise 
>> screenplays of almost any film I can think of.
>> ----- Original Message ----- 
>> From: Kirby McDaniel 
>> To: [email protected] 
>> Sent: Saturday, June 12, 2010 2:06 PM
>> Subject: [MOPO] OT; BLIGH ME, GUVNOR
>> 
>> Tony Hayward:  I am reminded of the wonderful line Claude Rains (Dryden) 
>> gets in LAWRENCE:
>> 
>> Prince Feisal: You, I suspect, are chief architect of this compromise. What 
>> do you think? 
>> Mr. Dryden: Me, your Highness? On the whole, I wish I'd stayed in Tunbridge 
>> Wells. 
>> 
>> http://www.theonion.com/articles/massive-flow-of-bullshit-continues-to-gush-from-bp,17564/
>>  
>> 
>> 
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