Hi, Dave,
 
Actually, according to the book, the Breen Office and the code came into being 
BECAUSE of the local and state censor boards which were more destructive than 
anything the Hayes or Breen offices did.  High-up Hollywood cooperated WITH 
Breen to blunt the effect of those local censorship boards.
Interestingly (and not surprisingly to this US-Southerner) the two boards that 
stayed the longest and were the most "powerful" were in Memphis and Atlanta.  
Each was run by a true blue-nose--- female in TN and male in GA-- "protector of 
morals."  
These are the type people who often make headlines in sex-scandals....witness 
the squawking from an Atlanta Hypocrite of the current day!!  
 
Joe
 
PS-- The code effectively died with Breen...even though it took Hollywood a few 
more years and a guy like Jack Valenti to put a more sensible way of "control" 
into place.
 
Joe

--- On Tue, 9/28/10, Dave Rosen <[email protected]> wrote:


From: Dave Rosen <[email protected]>
Subject: Re: [MOPO] It was the BREEN office......operating under Hayes
To: [email protected]
Date: Tuesday, September 28, 2010, 8:28 AM





Thanks for the heads-up, Joe. I'll definitely add that to my reading list. I 
find the era fascinating.
 
I recently watched Alien Trespass, a spoof of 50s sci-fi movies, and in one 
scene after what has presumably been a night of lovemaking, a married couple 
wake up the next morning fully dressed lying across one of a pair of twin beds, 
the husband with one foot on the floor! An obvious poke at the Code.
 
>From what I know already about the Production Code, it was initially written 
>after the Fatty Arbuckle debacle but not really enforced until the Legion of 
>Decency threatened to start picketing theaters, which would have had an impact 
>on the studios' bottom line. I believe the LoD also had an in on the many 
>state censor boards across the country and could outright ban movies if it 
>thought them too "indecent." This is what gave them clout.
 
By the 60s, though, their power had waned, the culture had shifted and the 
studios could finally break away from the Code.
 
I look forward to reading the Breen bio. Thanks again for the tip!
 
Dave

----- Original Message ----- 
From: Joseph Bonelli 
To: [email protected] 
Sent: Monday, September 27, 2010 10:50 PM
Subject: Re: [MOPO] It was the BREEN office......operating under Hayes











I just finished the bio of Joe Breen which is a history of the Hayes and Breen 
era of censorship in Hollywood from 1934 to the mid-1960s.  It's one of the 
most fascinating books I've ever read!!  Little did I realize as a 1950s teen, 
fascinated in the Catholic school library reading about forbidden movies, that 
it was representatives of what was then "my" church that controlled Hollywood 
censorship for 30 years!!  The production code was written by a Jesuit-- Fr. 
Daniel A Lord, S.J.  Please let no one be offended when I point out (as I 
learned in this book) that the Irish-Catholic point of view prevailed in most 
Hollywood films for over a quarter of a century.
Read it and be amazed!!  Fascinating stuff.    
 
Joe B in NOLA
 
http://www.amazon.com/Hollywoods-Censor-Joseph-Production-Administration/dp/0231143583
 

--- On Mon, 9/27/10, Richard Halegua Comic Art <[email protected]> wrote:


From: Richard Halegua Comic Art <[email protected]>
Subject: Re: [MOPO] FA: Were there sexier European versions of early 1930s U.S. 
movies?
To: [email protected]
Date: Monday, September 27, 2010, 6:05 PM


At 03:52 PM 9/27/2010, Roland Lataille wrote:
> I thought the early Tarzan movies were pretty racy as far as what Jane was 
> wearing or not wearing.

can we say "Hayes office"

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