sad.. I had the King Kong (remake) soundtrack as a kid. Bad movie, great music


 

 

-----Original Message-----
From: JOHN REID Vintage Movie Memorabilia <johnr...@moviemem.com>
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Mon, Jan 31, 2011 4:24 am
Subject: Re: [MOPO] RIP John Barry


This is very sad news. He was an extroadinarily gifted composer and arranger. 
The James Bond theme was indeed a case in point where it was all about the 
arrangement by John Barry irrespective of the "contribution" that Monty Norman 
made. You could always sense the John Barry touch even with Duran Duran's A 
View to a Kill. 
 
One of the great composers of movie themes.
 

JOHN REID VINTAGE MOVIE MEMORABILIA
Website: www.moviemem.com
PO Box 92
Elanora
Qld 4221
Australia
  
----- Original Message ----- 
  
From:   Adrian Cowdry 
  
To: MoPo-L@LISTSERV.AMERICAN.EDU   
  
Sent: Monday, January 31, 2011 7:09   PM
  
Subject: [MOPO] RIP John Barry
  


Sad news that the father of modern film   soundtracks and scores has died. John 
Barry is perhaps the most influential of   film composers since his early 
1960's compositions and his rise in fame with   the James Bond series. Barry 
was drafted on to Dr.No to jazz up the score that   Monty Norman had composed, 
Barry was responsible for the staccato beat of the   famous James Bond Theme 
while Norman was always credited for the composition   it was Barry's 
arrangement that gave it notice.

Barry went on to have a   secure relationship with the Bond films producing the 
score for From Russia   with Love while Lionel Bart composed the themes song. 
It was Goldfinger that   secured Barry's place in film music fame with his big 
sassy title song and the   employ of the big voiced Shirley Bassey. After 
Goldfinger Barry was greatly in   demand and was responsible for some of the 
most innovative film music of the   time with soundtracks to The Ipcress File, 
The Knack, Midnight Cowboy for   which he won an Oscar and many more. It was 
the soundtrack for On Her   Majesty's Secret Service that perhaps his best 
writing was evident.   

Barry went on to create music to many films some fading into obscurity   and 
yet the music was always recognizable as having Barry's stamp. Since his   
retirement from mainstream music Barry's banner has been carried high with the  
 likes of Michael Giacchino emulating him as well as other composers having   
influence from John Barry - Danny Elfman, James Horner, Hans Zimmer to name   
but a few.

Together with Jerry Goldsmith and John Wiliams John Barry   defined an era of 
film music. He was responsible for some of the most   recognised themes 
including The Persuaders and possibly the greatest love   theme ever We Have 
all the Time in the World sung by Louis   Armstrong.

Goodnight, goodnight John.
  
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