sad.. I had the King Kong (remake) soundtrack as a kid. Bad movie, great music
-----Original Message----- From: JOHN REID Vintage Movie Memorabilia <johnr...@moviemem.com> To: MoPo-L@LISTSERV.AMERICAN.EDU Sent: Mon, Jan 31, 2011 4:24 am Subject: Re: [MOPO] RIP John Barry This is very sad news. He was an extroadinarily gifted composer and arranger. The James Bond theme was indeed a case in point where it was all about the arrangement by John Barry irrespective of the "contribution" that Monty Norman made. You could always sense the John Barry touch even with Duran Duran's A View to a Kill. One of the great composers of movie themes. JOHN REID VINTAGE MOVIE MEMORABILIA Website: www.moviemem.com PO Box 92 Elanora Qld 4221 Australia ----- Original Message ----- From: Adrian Cowdry To: MoPo-L@LISTSERV.AMERICAN.EDU Sent: Monday, January 31, 2011 7:09 PM Subject: [MOPO] RIP John Barry Sad news that the father of modern film soundtracks and scores has died. John Barry is perhaps the most influential of film composers since his early 1960's compositions and his rise in fame with the James Bond series. Barry was drafted on to Dr.No to jazz up the score that Monty Norman had composed, Barry was responsible for the staccato beat of the famous James Bond Theme while Norman was always credited for the composition it was Barry's arrangement that gave it notice. Barry went on to have a secure relationship with the Bond films producing the score for From Russia with Love while Lionel Bart composed the themes song. It was Goldfinger that secured Barry's place in film music fame with his big sassy title song and the employ of the big voiced Shirley Bassey. After Goldfinger Barry was greatly in demand and was responsible for some of the most innovative film music of the time with soundtracks to The Ipcress File, The Knack, Midnight Cowboy for which he won an Oscar and many more. It was the soundtrack for On Her Majesty's Secret Service that perhaps his best writing was evident. Barry went on to create music to many films some fading into obscurity and yet the music was always recognizable as having Barry's stamp. Since his retirement from mainstream music Barry's banner has been carried high with the likes of Michael Giacchino emulating him as well as other composers having influence from John Barry - Danny Elfman, James Horner, Hans Zimmer to name but a few. Together with Jerry Goldsmith and John Wiliams John Barry defined an era of film music. He was responsible for some of the most recognised themes including The Persuaders and possibly the greatest love theme ever We Have all the Time in the World sung by Louis Armstrong. Goodnight, goodnight John. Visit the MoPo Mailing List Web Site at www.filmfan.com ___________________________________________________________________ How to UNSUBSCRIBE from the MoPo Mailing List Send a message addressed to: lists...@listserv.american.edu In the BODY of your message type: SIGNOFF MOPO-L The author of this message is solely responsible for its content. Visit the MoPo Mailing List Web Site at www.filmfan.com ___________________________________________________________________ How to UNSUBSCRIBE from the MoPo Mailing List Send a message addressed to: lists...@listserv.american.edu In the BODY of your message type: SIGNOFF MOPO-L The author of this message is solely responsible for its content. Visit the MoPo Mailing List Web Site at www.filmfan.com ___________________________________________________________________ How to UNSUBSCRIBE from the MoPo Mailing List Send a message addressed to: lists...@listserv.american.edu In the BODY of your message type: SIGNOFF MOPO-L The author of this message is solely responsible for its content.