After reading this and a couple other articles about this, along with the
seller, Glafira Rosales, the gallery that sold these works  should be held
100% responsible as well as this Rosales woman. When reding that there was
really no solid paperwork about the provenance of many of these supposed
masterworks, it then falls onto the shoulders of the gallery, famed and
established or not, to verify said works.

Although, from this and other articles, as well, it sounds like verbal
verification, without actual paperwork, can be commonplace, when sold by
large and respected galleries. The point is, even for those high end
galleries, a verbal verification means nothing, when these kinds of
allegations surface. The gallery and this Rosales woman should be sued to
the hilt.

The other red flag, IMO-- the "mysterious, unnamed original owner" of these
works.

It sounds like the original, rich Mexican / Swiss owner was probably
cranking these out in his basement or sun room...lol


-KL




On Sat, Dec 3, 2011 at 5:44 AM, Bruce Hershenson
<[email protected]>wrote:

> Possible Forging of Modern Art Is Investigated
>
> *
> http://www.nytimes.com/2011/12/03/arts/design/federal-inquiry-into-possible-forging-of-modernist-art.html?_r=1&emc=eta1
> *
>
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