As a lifelong photographer, I can state that Jay knows what he is talking about 
here.

Kirby

On May 6, 2014, at 10:52 AM, Jay Nemeth-Johannes 
<[email protected]> wrote:

> Hi Simon,
> 
> My parents owned a portrait photography studio back in the '50s and '60s. 
> We regularly got this sort of restoration work.  The standard procedure was
> to do the restoration artwork on the original and then make an
> inter-negative and a new print.  However, glossy prints, such as those used
> for stills were very tricky.  It is impossible to create that sheen, so
> they generally created an intermediate matte print, did the restoration and
> then created another negative and glossy print.  That makes it third
> generation and the results were generally somewhat soft.
> 
> If I were to attack such a job these days, I think I would digitize, do
> the restoration in photoshop and then create a new print.
> 
> You have one other issue to deal with though.  Vintage prints were on a
> paper backing.  In the mid-70s, Kodak switched to a polyester based 'paper'
> and obsoleted the paper stock.  The old paper stock hasn't been available
> for 40 years now, so making a new print that looks and feels like the old
> one is impossible.
> 
> Probably best to either find another copy, or live with the bad one, while
> creating a modern laser printed restored copy for display purposes.
> 
>   Jay
> 
> On Tue, 6 May 2014 16:28:00 +0100, Simon Oram <[email protected]>
> wrote:
>> Hi everyone,
>> Does anyone on the list here use anyone or can recommend a vintage
> photo/
>> still restorer?
>> Any comments on how photos look after being restored appreciated as
> well.
>> Cheers Simon 
> 
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