I just caught wind of this conversation.  I've been experimenting the past year 
or so with paperbacking using mulberry paper, AKA Kozo, AKA Rice Paper and it 
is absolutely lovely...  I've paperbacked photo stills, lobbies, inserts, 
daybills, quad crowns etc. with it.  IMO the best backing method for 
conservation-minded collectors.  You still have to prescribe to conservative 
adhesives but yes it is translucent and you can see and markings etc. on the 
back of a poster - NSS numbers in grease pencil for example.


I had started a thread on VMPF a while back and updated it for reference if you 
want to know more or just send me an e-mail.


http://vintagemoviepostersforum.com/discussion/1428/paperbacking-101#latest



________________________________
From: MoPo List <[email protected]> on behalf of Helmut Hamm 
<[email protected]>
Sent: Saturday, June 24, 2017 7:05 AM
To: [email protected]
Subject: Re: [MOPO] To back or not to back . . .


I have found that posters that I had backed by some restorers have deteriorated 
over the years, developing foxing and other issues. Some of these posters now 
need to be rebacked.


I had the same experience, fortunately only with  a single onesheet that I 
bought from a major dealer in the mid-90s. It looked great when I bought it. I 
framed it and it turned to absolute horrible a few years later.

These days, I very much prefer backing on japanese rice paper, and only for 
posters that actually need preservation. This process requires a lot more skill 
than linenbacking, so it is usually done by high-skilled professional. From 
what I know, the few people in the US who can do it mainly work for the museums 
and/or are ridiculously expensive.

Rice paper backing results in a poster that still feels like a poster, and any 
restoration or paper replacement can be easily detected from the backside.

Helmut

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