On 2018-01-22 11:07, Kirby McDaniel wrote:
Mel,
What do you mean, a "cinema movie?"

Kirby McDaniel

On Jan 22, 2018, at 8:29 AM, MoviePoster Collectors
<[email protected]> wrote:


https://www.nytimes.com/2018/01/18/movies/long-before-imax-the-curious-tale-of-cinerama.html
[1]

So, if you've seen a Cinema movie, how does it compare?

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Mel S. Hutson
Charlotte, NC USA

I think the only diference wa the cinerama used three projectostr on a ibbon screen so they convergedona screen made ofstrips..paulallen has one inseattle that was built frm proectors fund inperu by Jaohn harvy ofOHIO..andthe had one in Dayton OHIO the new neon theter,,i never got to se it..

but i did see the various formats like cimema scope and panovisionhad a anamorphic lens and i have one for my scope 16mmprints what they did was squeeeze the imgae smaller formati so whenyou project it the lens unsquesse the image...and widens it..hat why is wider and skinny from top to bottom..the imax is orwas done witha larger film neg andthe film was much larger..unless now its digital...iam notsure...all i know is the last film a i saw -starwars..the sund is too inyourface with loots ofsubsonic and mostly explosions..theimage stilldoed notmatch carbonarc ora ibtech print inmy opinion

inthe cinemascp and vistavison days they used a curved screen whic awas beautifuland the curtais nwould be kind close andthen would open up to unveil a great image..itwas called showmanship..when[projectionist whe union artistand crafts man..and the sound was analog ,,warm and tweaked just right and thefilms had great storys..and images by great cinematographers that made son wonderful shots..andthe spaecaileffects whera combo of practical and in thecamera..andlarge props and sets..notcgi digital....


the various formats where a wonderful epic way to show films..and it seems all but gone..the carbon arc light was so strong and the screen materials reflected the images verywell.....the voice of the theater speakers, jbland electro voice and tube analog maps still are the best ..however the big power amps of the80s like crown dc -300 and others do subs well as they are transitor solid state....

the imax i belive uses a flat screen maybe a slight curve.. however seeing a epic western ora huge film lketora tora tora on bigscreen was very visual...even thedrive ins had serious lamphouse to project images farand strong......

thier was also a format made by Douglas Trumble fr brainstorm withNatilie wood where they sped up the film as it was said to make better impressions onth mind..i frgt thename but whenfilm went to digital it seemed to goawat and remeber7mm also wa double the 35mm fim and they took many out ofretiement toRun tarentinos films hateful 8 as they where mostly dumped..so film is getteing harder as most prins are hard toship and scartchandrun as the new kids intheater just d a digital like download or dvd tpe thing ona 4 k projector....which to me wa a disapointment....so all thats left is blow arc bulbs wheic i met theinventor fromstrng here inToledo arthur Hatch thatreplaced Carbo arc....

btw thecarbon arc was refined by Harrystrong here inToedo as he made the feed system so the arce rods would be fed equal into the lamphouse inlke1923..and thastwhy strong was 65% of the world market...aln with ethiertrademark super trooper follow spots they made all the us navy search lights forshis..andi think the huge search lights forourdoor use...thatwhere originally for millitary tospot planes in ww2////




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Links:
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[1]
https://www.nytimes.com/2018/01/18/movies/long-before-imax-the-curious-tale-of-cinerama.html
[2] http://www.moviepostercollectors.guide/
[3] https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L&amp;A=1 [4] https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L&A=1

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