[Krimel]
My point is that this is a very circular argument that elevates the role of
symbolic thought and ignores the critical importance of non-symbolic thought
which is simply defined away.

[Arlo]
Not "defined away", simply defined as something other than "thought". Again, to
me, "non-symbolic thought" is an oxymoron. There is, as I've said, non-symbolic
experience, but "thought" is the symbolic encoding of this.

[Krimel]
Numbers and word yes. Images no. Images in memory are not symbolically
encoded in the same fashion. They do not stand for something else. 

[Arlo]
Sure they do, they "stand" for whatever it is they are an image of. But maybe
here we are getting to Peirce's distinction between icon, sign and symbol. If
we are using Peirce's terminology, an "image" often functions iconically, may
function symbolically, but is always semiotic.

[Krimel]
Are you saying that a recording is a semiotic system. I might be able to see
digital recording this way but I have a harder time seeing analog recording as
semiotic.

[Arlo]
An audio recording, a painting, and a novel are all semiotically encoded, and
semiotically consumed, yes. In all cases, the "artist" makes certain choices
about using particular symbols (tones, hues, phrasing, etc) in an attempt to
convey specific meaning. Whether you hear this "live" in a concert hall, on an
analog record, or as a digital mp3 from iTunes makes no difference.

[Krimel]
I think there is an innate capacity to emit and understand emotional content
both through sound and body language.

[Arlo]
A baby "learns" to read sounds and body language in a highly social interactive
field. As the baby "learns" what this or that "sound" means, and what (even
incredibly nuanced) body language means, s/he is at that moment semiotic. The
very first moment where s/he understands that a noise s/he makes has "meaning"
for another, and this happens very, very early on, the infant begins "reading"
and consuming her/his world via symbols. Indeed, prior to this the baby has no
concept of "I cry because I am hungry", the biological pain of "she knows not
want" causes the infant to cry. As the pain is subdued (though feeding) the
infant makes two associations (or more), one that the pain is associated with
the pleasure of feeding (of course, not in words like this) and two that the
very act of crying is interpreted by the other as a sign to begin feeding. From
then on, the baby's cries are semiotic, and the baby learns particular
cultural-social concepts such as hunger and taste and how to feed, etc.

[Krimel]
I think this works in that we have a limited capacity to understand ancient
texts. The illusion that we can understand ancient writings is hard for most
people to overcome and leads to tragic misunderstanding particularly in the
area of religion. This is why for all its faults I prefer the KJV of the
Bible. Its style does not allow me the luxury of reading it as a modern
work.

[Arlo]
Agree.

[Krimel]
Sensations and emotions are autonomic yes and this was my original point
that thought and symbols emerges from them not the reverse. But associations
between sensation and emotion do not require symbolic mediation.

[Arlo]
Yes to the first, no to the second. For example, consider Pavlov's dog, who
demonstrated the ability to make the association between the bell and the food.
Most semioticians (AFAIK) would say that, no, this is not a semiotic event, but
would argue that for humans our associations are so enmeshed in our language
(we explain things to ourselves) that we rarely have such unconscious
animalistic responses. Others would argue that the dog is indeed engaging in
semiosis, primitive and non-elaborate semiosis but semiosis anyways. But I
suppose the door is open here. 

[Krimel]
In fact I don't think we learn motor skills like driving at all by rehearsing
verbal
instructions. We do them and adjust our performance according to the emotional
valance of rightness or wrongness.

[Arlo]
First, this is more than just "learning by rehearsing verbal instructions". The
act of learning to drive involves learning a whole field of textual, semiotic,
cultural symbols. We have to read "STOP" correctly, we are told via language
"drive on the right side of the road" and "yield means slow down and let other
cars have the right of way", and we come into the act of learning the motor
skills _through_ this semiotic involvement. And as we are learning the motor
skills, we are always mediating our actions by reviewing a host of factors such
as what we learned, what did so and so say to do here, turtle!, etc. Further,
we "learn" how to "read" things we see, a deer along the road means slow down,
someone flashing their highbeams means a cop ahead or danger of some sort, and
these all become part of our semiotic repertoire. 


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