Krimel,

I'm really sorry to have put you to so much trouble.  Although it was 
interesting, your explanation was a bit over my head and not what I 
was expecting.  I imagined you were going to relate the Mandelbrot 
whatevers to randomness within evolution or the Tao or something like 
that.  But thanks anyway, I had no idea of what Mandelbrot sets were 
about, and now I have some idea.

Many thanks,

Marsha





At 11:06 AM 4/28/2008, you wrote:
>[Marsha]
>I'd like to hear your explanation.
>
>I'd like to hear your explanation.
>
>I'd like to hear your explanation.
>
>[Krimel]
>It is hard to explain the Mandelbrot set in plain text because it makes more
>sense to see it graphically. There are many good explanations available on
>the internet. I will comment on this one because it is really fairly easy to
>understand as its title implies:
>
>http://www.tonkoppens.nl/Tutorial01/test.html
>
>The equation the produces the pictures you have seen is this:
>Z = Z^2 + C
>
>Doesn't seem possible does it? However, the equation has two important
>features. First C is a complex number. It is a constant multiplied times "i"
>which is defined as the square root of -1. This makes it an imaginary number
>which is a mathematical term for negative square roots. Imaginary numbers
>were invented because you can't have negative square roots. For example with
>-1 * -1 = 1. The imaginary number i lets you get the square root of negative
>numbers.
>
>The Mandelbrot set is plotted on a graph that has the real number line as
>the X axis and the imaginary number line as the Y axis.
>
>The other interesting and unusual part of the equation is that it is
>iterative. This means that you put in a number. Solve the equation. Put the
>answer back into the equation and solve it again and again and again. What
>this means is that the equation continues across time. It is dynamic in this
>sense unlike more familiar equations the produce static answers and then we
>are done with them.
>
>When we put a number into this equation and start solving it over and over
>again three things can happen.
>
>1. It can yield a 0 and nothing else happens.
>2. It will quickly shoot off into infinity.
>3. It will oscillate producing answers that vary within a fairly narrow
>range forever.
>
>The answers that oscillate are the points of the set.
>The way we get the pretty pictures is to take an area on the graph of the XY
>[Real/Imaginary) axis and plug each point on the graph into the equation,
>let it run and see what happens. Or think of it this way. Your computer
>screen is essential a piece of graph paper. It is covered with little dots.
>It works because the CPU and programs tell each dot on your screen what
>color to be and how bright to shine.
>
>Let's say you are using 800x600 resolution. That means that there are 600
>dots on each line across your screen and 800 lines up and down. Thus there
>are 480,000 points on your screen. To draw a picture from the Mandelbrot set
>you assign your screen to a particular range of values, creating a kind of
>window or microscope of the whole set or part of it. Then starting with the
>first dot in the upper left hand corner you take that number, plug it into
>our equation and let it run.
>
>To make this simple let's say that if the equation produces infinity we
>color the dot white and if it produces zero we color it black. The
>Mandelbrot set only occurs in a relatively small area between (0,0) and
>(2,2) on the number lines. If you plot that area as described you will see
>the overall set. While this is a fairly small area, remember between any two
>points on a line there are an infinite number of points. So like using a
>microscope you can zoom in with infinite precision on the points of the line
>separating black and white.
>
>A couple of notes here. First it should be obvious that while the procedure
>itself is simple it was impossible to do without computers. You would have
>to solve that small equation an indefinite number of times for each of the
>half a million points on a fairly low resolution screen or piece of graph
>paper. It was conceptually simple but technically impossible.
>
>Ok here's how they get all the pretty colors. Some numbers when plugged into
>the equation reach infinity in one or two iterations; some after several
>hundred, some after several thousand. The closer you get to the edge of the
>line the more iterations are needed. So the colors are assigned based on the
>number of iterations needed to make a decision. In the programs you can get
>to draw and play with the set you can specify the number of iterations to
>cap and assign a color. If you told the program to run up to 10 million
>iterations for each point, it could do it but it would take a really long
>time.
>
>Another limiting factor is the zoom level. You could specify a range between
>1.0000000000000000000000000000000000000000000000000000000001 and
>1.0000000000000000000000000000000000000000000000000000000002 but this is
>really hard for your computer to work with for reasons your either already
>know or probably don't want to know. The point is, the more decimal places
>you add, the longer it takes to draw the picture.
>
>Here is a pretty good web based Mandelbrot explorer.
>
>http://users.erols.com/ziring/mandel_applet.html
>
>Pick the size images you want to see, small, medium or large. The program
>will pop-up in a window. It starts with an overview of the whole set. You
>can use your mouse to draw over a range of point you want to zoom in on and
>it will draw that range for you. On the top you can see the range of points
>you are looking at.
>
>Ok, that is phase one. There are much better explanations out there than I
>can give. If this actually interests anyone or any of you are already
>familiar with this we can talk more about how this relates to the MoQ. Some
>of that should be obvious.
>
>Equations that iterate and persist across time.
>The dynamic quality of the process itself and the results that become static
>by flying into infinity or sinking to zero.
>The set itself that exists on the cutting edge as a dynamic tension between
>the static alternatives.
>The self similarity in complexity across levels of scale.
>The organic Quality of the images.
>Clear distinctions between polar opposites with fuzzy intricate beautiful
>edges between them.
>Outcomes that are purely deterministic but unknowable until we look at them.
>
>Oh yeah, and as Case would say, "Zoom in, Zoom out, Refocus."
>
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