dmb,

I have never said any old thing is right.  


Marsh



On Sep 21, 2010, at 9:49 AM, david buchanan wrote:

> 
> Andre quoted Pirsig: 
>> 'Poincare then hyposthesized that this selection is made by what he called 
>> the 'subliminal self',
>> an entity that corresponds exactly with what Phaedrus called 
>> pre-intellectual awareness.
>> The subliminal self, Poincarre said,looks at a large number  of solutions to 
>> a problem, but only the
>> INTERESTING ones break into the domain of consciousness. Mathematical 
>> solutions are selected by the
>> subliminal self on the basis of 'mathematical beauty', of the harmony of 
>> numbers and forms, of
>> geometric elegance. 'This is a true esthetic feeling which all 
>> mathematicians know',Poincare said...
>> It is this harmony, this beauty that is at the center of it all'.
>> 
>> Poincare made it clear that he was not speaking of romantic beauty, the 
>> beauty of appearances which
>> strike the senses. He meant classic beauty, which comes from the harmonious 
>> order of the parts, AND
>> WHICH A PURE INTELLIGENCE CAN GRASP, which gives structure to romantic 
>> beauty and without which life
>> would be only vague and fleeting...'. My emphasis.(ZMM, p261)
> 
> 
> 
> dmb says:
> 
> This quote couldn't be more relevant. This felt beauty and harmony is what 
> guides the formation of new scientific hypotheses. Pirsig says essentially 
> the same thing at the end of chapter 29 of Lila, where Pirsig says, "Dynamic 
> value is an integral part of science. It is the cutting edge of science 
> itself." 
> 
> 
> These quotes from ZAMM about Poincare are preceded by the notion of multiple 
> truths. (This is another area where Marsha badly misunderstands the basic 
> idea.) In the first quarter of the 19th century, he explains, Bolyai and 
> Lobachevski "established irrefutably that a proof of Euclid's fifth postulate 
> is impossible". 
> 
> "Mathematic, the cornerstone of scientific certainty, was suddenly uncertain. 
> We now had TWO contradictory visions of unshakable scientific truth, true for 
> all men of all ages, regardless of the individual preferences.  This was the 
> basis of the profound crisis that shattered the scientific complacency of the 
> Gilded Age. HOW DO WE KNOW WHICH ONE OF THESE GEOMETRIES IS RIGHT? ...And of 
> course once that door was opened one could hardly expect the number of 
> contradictory systems of unshakable scientific truth to be limited to two. A 
> German named Riemann appeared with another unshakable system of geometry 
> which throws overboard not only Euclid's postulate, but also the first 
> axiom..."
> 
> 
> The idea that there can be three different kinds of internally consistent and 
> scientifically valid geometries is parallel to the Art Gallery analogy in 
> chapter ten of Lila, where SOM and the MOQ are compared to two equally valid 
> maps, one with rectangular coordinates and one with polar coordinates. So 
> here Pirsig is giving us examples of multiple truths in geometry, geography 
> and metaphysics. In all these cases, the truth isn't just our own personal 
> truth. It's not true just because we want it to be true and of course there 
> are lots and lots of ways to be wrong about geometry, geography and 
> metaphysics. These various systems aren't true in the sense of being 
> objectively true, they are pragmatically true. They work. They are convenient 
> and useful to anyone capable of grasping their meaning and putting them to 
> work. Unlike SOM, the MOQ does not insist on a single, exclusive truth. But 
> that certainly doesn't mean there is no such thing as laborious, confusing, 
> or inconclusive 
 id
> ea. That doesn't mean any old thing is right. It has to make sense. It has to 
> work. It has to fit the context, agree with experience and function in future 
> experience.
> 
> 
> 
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