She's what you could call a "contrarian." "You're a loner, just like me,"
she had said the day they left Kingston. That stuck in his mind because it
was true. But what she meant by it was not just someone who's alone, but a
contrarian, someone who's always doing everything the wrong way, just out of
pure willfulness, it would seem.

Contrarians sometimes just seem to savagely attack every kind of static
moral pattern they can find. It seems as though they're trying to destroy
morality as a kind of revenge.

He'd gotten that word out of his anthropology reading. It indicated there's
more to contrarians than just individual "wrongness." It's common to many
cultures. That *brujo *in Zuni was a contrarian. The Cheyenne had a whole
society of contrarians to assimilate the phenomenon within their social
fabric. Cheyenne contrarians rode their horses sitting backward, entered
teepees backward, and had a whole repertoire of things they performed in a
contrary way. Members seemed to enter the contrary society when they felt a
great wrong, a great injustice, had been done to them and apparently it was
felt that this was a way of resolving the injustice.

Once you see it in another culture like that and then come back to our own
you can see that in an unofficial way we have our contrarian societies too.
The "Bohemians" of the Victorian era were contrarians. So, to some extent,
were the Hippies of the sixties.

Anyway it seemed to him that when you add a concept of "Dynamic Quality" to
a rational understanding of the world, you can add a lot to an understanding
of contrarians. Some of them aren't just being negative toward static moral
patterns, they are actively pursuing a Dynamic goal.

Everybody gets on these negative contrarian streaks from time to time, where
no matter what it is they're supposed to be doing, that's the one thing they
least want to do. Sometimes it's a degenerative negativism, where biological
forces are driving it. Sometimes it's an ego pattern that says, "I'm too
important to be doing all this dumb static stuff."

Sometimes the contrary anti-static drive becomes a static pattern of its
own. This contrary stuff can become a tiger-ride where you can't get off and
you have to keep riding and riding until the tiger finally throws you and
devours you. The degenerative contrarian stuff usually goes that way. Drugs,
illicit sex, alcohol and the like.

But sometimes it's Dynamic, where your whole being senses that the static
situation is an enemy of life itself. That's what drives the really creative
people-the artists, composers, revolutionaries and the like-the feeling that
if they don't break out of this jailhouse somebody has built around them,
they're going to die.

But they're not being contrary in a way that is just decadent. They're way
too energetic and aggressive to be decadent. They're fighting for some kind
of Dynamic freedom from the static patterns. But the Dynamic freedom they're
fighting for is a kind of morality too. And it's a highly important part of
the overall moral process. It's often confused with degeneracy but it's
actually a form of moral regeneration. Without its continual refreshment
static patterns would simply die of old age.

 And Lila's battle is everybody's battle, you know? Sometimes the insane and
the contrarians and the ones who are the closest to suicide are the most
valuable people society has. They may be precursors of social change.
They've taken the burdens of the culture onto themselves, and in their
struggle to solve their own problems they're solving problems for the
culture as well.
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