Dan said:
... there is a difference between seeking zen enlightenment and the performance 
of art, be it motorcycle maintenance, music, philosophy, writing, painting, 
whathaveyou. Art always resides on a reference point. Take motorcycle 
maintenance... the artful mechanic does not master the needed skills to the 
point they are completely forgotten. If that happened, there would be no 
reference point. ...The skill sets cannot be forgotten though. Otherwise they 
will butcher the job. It would be like a drunk attempting to fine tune a 
motorcycle. The act of caring would be non-existent.


dmb says:
I see what you mean. But the problem here is really just the result from taking 
the meaning of "forgetting" too literally. The forgetting is presented in the 
context of extensive practice and mastery, right? So he's talking about it in 
the same way that we "forget" how to peddle and steer a bike. You've mastered 
it so that it requires no deliberate thought. You can just do it without 
thinking about it. 
This is why we can't take those lines about killing the intellectual pattens 
literally either. Pirsig is not advocating drunken butchery or emtpy-headed 
nihilism. Obviously. And so the more poetic interpretation makes tons of sense, 
where this forgetting and killing is about a certain kind of groovy 
proficiency, while the literal reading cuts against the grain of his thought 
and leads to really bad conclusions. 
I don't want to equate this with enlightenment, exactly, but we can see how 
at-one-ment and just sitting and just fixing can all be equated or at least 
related. 
"Phædrus felt that at the moment of pure Quality perception, or not even 
perception, at the moment of pure Quality, there is no subject and there is no 
object. There is only a sense of Quality that produces a later awareness of 
subjects and objects. At the moment of pure quality, subject and object are 
identical. This is the tat tvam asi truth of the Upanishads, but it's also 
reflected in modern street argot. ``Getting with it,'' ``digging it,'' 
``grooving on it'' are all slang reflections of this identity. It is this 
identity that is the basis of craftsmanship in all the technical arts."  ZAMM 
290-1                                           
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