Hi Mike,

I'm with you most of the way here ... I referred to your comments here
in the other musical thread running in parallel ....

One point, when you say ...

> I mean, what's the point of a critic? The critic's job is to give their
> opinion, then they get to a certain level of  renown, and they start
> dictating their taste. Look at how nervous studio execs get over the
> reviews! If we all could always take their opinion as an opinion, that
> would be great. But we too often subjugate our taste to that of the
> critic; partially because there's just too much to see out there and we
> need filters to keep our heads from exploding. But can a hard-core
> MOQ-er stay a critic for long? Or will they reach a point where they
> feel compelled to stop dictating?

I think we need to maintain some balance - as you say yourself -
critics have their uses when there is just so much to experience and
limited time to do it. Then there is an element of critiquing the
critics - so that we find the critics and channels we trust. It's a
matter of delegation and efficiency, but it's all built on trust.

When it gets to look like dictating our opinions we've gone too far -
I know, I often sound like that myself ;-)

Being opinionated, having strong opinions about everything is one
thing, and in a free-ranging discussion board it is easy to express
them without inhibitions. Like everything in life, a good critic knows
what he likes, but knows it's his job to communicate, not to impose
constraints on user choice.

Strong opinions, lightly held - is the expression I use.
(Can't remember where I got it from)

The more power you have the more you need to understand that the point
of it is not to use it. Same goes for critics as for presidents of
world powers.
I call that the Groucho effect - knowing that the club that will have
you as a member is the one you shouldn't join.

Ian
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