[Case]
"dimensionality is not a property of real things. It is a property of
our understanding of real things."


[Ron]
And this, my friend, is what I believe Micah is driving at but can not
explain..why you have
 misinterpretations of Bohrs' explainations of quantum philosophy and
see movies like
"the secret" and "what the bleep,"...fat cats at seminars for 140 bucks
a seat to tell
Folks science has just made FACT that objective reality is a construct
of the subject.
In a manner of speaking it is but that's not what Niehls Bohr was
saying.He was not saying
Objective reality is'nt primary he was saying our perception of it
is'nt.
There is a difference.


-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Case
Sent: Friday, April 13, 2007 1:27 PM
To: [EMAIL PROTECTED]
Subject: Re: [MD] Art of Value

[Ron]
Or are you performing a 2 dimentional activity of a 3-d experience? Our
minds seem to be able to flop back and forth between 2-d and 3-d
seemlessly. its what makes Eschers work seem real because It exploites
this virtually unconscious ability. Is the human mind linear in a 3-d
reality?
Do we ever really exeperience 3-d reality or are we taking 2-d visual
bitmaps and over laying Them on to a wire form that is part memory and
part direct experience?

Why was the roadrunner allways able to travel through the painted tunnel
and the coyote Could not? I know, it's against the law of physics, but
the roadrunner never studied law.

[Case]
Interesting, I think this jams together with the rounding error issue.
The Ideal world of forms exists only in our heads. It is objective in
that we can inter-subjectively understand and communicate about it but
only when we understand that it does not really exist in nature. Like
precise measurement, dimensionality is not a property of real things. It
is a property of our understanding of real things. It is built into the
nature of Maya. When the Hindus claim that the world is Maya or when the
Buddhists claim that life is illusion they are referring to the
confusion that occurs when we take our idealization to be the thing that
is real.

The Roadrunner can run into the tunnels and the coyote can't because
they live in an ideal world with arbitrary laws of physics. Fortunately
for us we do not. There is just this little problem of how much we wish
to make of the difference between what these laws are and what we
imagine them to be.

{ron}
Which brings me back to the [(x)+(x)] analogy with regard to Bohrs
philosphy of complimentarity Of a limit having to be set by the subject
to make use of any input.
What we percieve is a result
Of our minds built in limit(which seems to be variable). The mind
simplifies experience so it is useful and storable like a computer Using
the FAT 32 compression we recall an experience then inflate the 2-d
memory to 3-d recalled experience. Likewise current experiences are
subject to triggered Past recall to comprehend and identify it. The (x)
factor of reality is constantly checked by The (x) factor of perception
and wieghed against one another. (x)+(x) equalls quality?

It would account for usually the most basic and accurate 2-d
representations in art of a 3-d expierience Is often considered a
highter quality of art.

[Case]
Here the real issue for me is how is sensation processed into
perception?
How is memory encoded and accessed. Not too many years ago a holographic
model was proposed. Don't know what became of it but I haven't heard
much about it lately. I like what I have heard so far about neural
networks but we do tend to slap the metaphor de jur on mental processes,
so who knows.

I think a lot comes down to the fact that our ideal forms are beautiful
because they are only as messy as we want them to be and it is not hard
for most of us to imagine perfection. The real world tends to piss us
off because it frequently does not play by our rules. I think that is
one of the faults with what Wilber calls "the traditions." They invite
us to give higher status to the world of the ideal.

A classic example of this can be seen in the historic treatment of the
story of Adam and Eve. The Jews, whose story this is, never saw the fall
as an indictment of nature as evil. They did not think the actions of
Adam and Eve brought sin into the world. The idea of "the fall"
originates with Augustine and I suspect comes out of the influence of
the Gnostics and Neo-Platonist who had decided that the real world is
evil and co-opted the story to account for it.




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