.................................
To leave Commie, hyper to
http://commie.oy.com/commie_leaving.html
.................................

a couple of articles about the changing mature of music production.

you need to register to get at the NY Times, but if anyone is 
interested, I could post the pages to this list.  I'll quote a 
few passages that might incite some people on the commie lists  ;-)


TECHNOLOGY HEADLINES
The New York Times on the Web
Sunday, February 11, 2001

Strike the Band: Pop Music Without Musicians

More and more pop music is created not by conventional
musicianship by using computerized tools to stitch together
prerecorded sounds.

http://www.nytimes.com/2001/02/11/technology/11SCHE.html

        The music business has finally figured out how 
        to do without musicians, those pesky varmints.

        Music making is sociable. Not only is the digital musician 
        physically isolated, peering into a computer screen in his 
        home studio, but worse, he's also spiritually isolated. 
        Even practicing in a room alone, the real- time musician is
        in conversation. The sociologist and pianist David Sudnow, 
        in his 1978 book "The Ways of the Hand" (Harvard University 
        Press), described his breakthrough from rote playing to impro-
        vising. Alone, as usual, at his piano, Mr. Sudnow wrote, he 
        found himself "counting off the time with a care I had never 
        taken before ... a care for the others with whom I would have 
        been coordinating my moves, for that bass player and drummer 
        who were never around."

        The great guitarist Ry Cooder once put it this way: "Music 
        gives you radar sensitivity to people because you closely 
        associate with others as you play your music." Programmers 
        never develop this sociability, this magical fluency in a 
        nonverbal language - they don't need it; they've never been 
        challenged by the requirements of real time music making.

        Musicians don't like to admit it, but computer music makes 
        you lazy.

Going the Way of the Victrola

The home computer revolution may soon chalk up another casualty: the 
recording studio -- that shrine where many a music legend has been born.

http://www.nytimes.com/2001/02/11/technology/11WAGE.html

        Of course, saving money is behind this latest trend to mothball 
        the recording studio. In addition to its "state of the art" 
        recording equipment, a good recording studio also requires 
        musicians, engineers, secretaries and janitors, not to mention 
        interior decorators, limousine service and snacks for hungry
        artists, all of which means additional expense.

        Now look at the home computer. 

Reply via email to