Allow me to clarify a question that has arisen about the cartoons of Ken
Avidor as they have appeared in Pulse of the Twin Cities.

First, let me say how much I love and admire Roadkill Bill--how can you not
love an angry rodent with tire tracks across his stomach?

For the last few months Ken Avidor had been using his strip to tell a
fantastical tale about Gowandaland.  It got convoluted and (frankly) a
little tedious.  People on the staff begged him to get out of Gowandaland
and back to earth.  Finally, he did get back and immediately started a new
series about the access/excess project.  The series was predictable and the
arguments seemed tedious.  I called him up and said the topic seemed more
appropriate as a feature or cover story for Pulse.  We have run cover
stories by Avidor that were futuristic parables about the dangers of
dependence on fossil fuels.  I asked him to use Roadkill Bill the way it was
when we began--a simple short idea developed in four panels--and save the
more extended stories for a longer cover story.  I invited him to re-write
the series as a cover.  We will be running a cover on the Access Project by
another writer sometime in the next few weeks.

Was I censoring Ken Avidor for writing about the Access Project?  Last year
I ran against Peter McLaughlin for County Commissioner.  He is well known as
a supporter of the Access Project, and my campaign focused a great deal of
attention on that question.  I was most critical of the flyover ramp which
would have taken a large number of homes, created an eyesore in South
Minneapolis, and reduced the number of hours of daylight for residents
living under its arching shadow.  The election was in many ways a referendum
on the access project, and Peter beat me 4 to 1 in the precincts most
affected by the proposed ramp.  If it was a referendum, then Peter certainly
won it.  In spite of his convincing victory the project made concessions to
the immediate residents and eliminated the flyover ramp.  There are some
diehard antagonists who continue to oppose the project and malign anyone who
might support it.  But, for me, having gone one-on-one on this issue and
lost convincingly, the issue seems settled.  It cost me a lot of time, money
and psychic energy to earn this black eye, and I am content that it is over.
There are other battles and worse enemies.

Was I censoring Ken Avidor?  I don't think so.  I wanted him to go back to
the original premises of Roadkill Bill, and I was offering him the
opportunity to do a cover on the Access Project.

Ed Felien, Editor/Publisher, Pulse of the Twin Cities
Powderhorn


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