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Subject: Re: [music-dsp] Cheap spectral centroid recipe

From: "Risto Holopainen" <ebel...@ristoid.net>

Date: Fri, February 19, 2016 7:45 am

To: music-dsp@music.columbia.edu

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>

> I don't recall having seen the spectral centroid being normalized to 
> fundamental frequency in the literature, although in some cases it would make 
> sense to normalize it to the sampling frequency so that its range is [0,1]. 
> One could use the time domain crest factor as a measure related to
brightness independently of fundamental frequency. Several other descriptors 
seem to be quite similar to the centroid, such as spectral slope, spectral 
roll-off or zero crossing rate. I can think of applications such as perceptual 
research where their differences matter a great deal, and other
applications where you would just pick the descriptor that is most 
mathematically elegant or easy to implement.
>
�
the earliest use of the concept i have ever read is that by James Beauchamp 
back in the 80s:�http://www.aes.org/e-lib/browse.cfm?elib=11967�

        Synthesis by Amplitude and "Brightness" Matching of Analyzed Musical 
Instrument Tones

        
        �
Time-variant index and amplitude parameters for a computer model are calculated 
by matching the instantaneous spectral center ("brightness") of a synthetic
tone and minimizing the rms error with respect to an original tone. Synthesis 
accuracy is gauged by measuring the difference between the spectra of the 
original synthetic tones and by listening tests. Nonlinear and FM synthesis 
models are compared by means of graphics and taped
examples.
�
        
                J. W. Beauchamp, "Brass Tone Synthesis by Spectrum Evolution 
Matching with Nonlinear Functions", in Foundations of Computer Music, C. Roads 
and J. Strawn, eds., MIT Press, Cambridge, MA, pp. 95-113 (1985).


�
�
geez, i wish i could cut and paste text without getting all of that HTML crap 
in there. �i dunno how this is going through majordomo or whatever Douglas has 
running the list.
�
anyway, this measure of "brightness" or the
"instantaneous spectral center" *was* normalized to the fundamental and the 
idea was to crank up the FM modulation index so that it would have the same 
spectral center.
�
--

r b-j � � � � � � � � �r...@audioimagination.com
�
�
�


"Imagination is more important than knowledge."


�
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