On Jan 3, 2008 7:16 PM, Brian Schweitzer
<[EMAIL PROTECTED]> wrote:

> We would like all ARs to be meaningful.
> We would like everyone to agree on just what any given AR level implies.
> We would love if all release level ARs applied only to all tracks, but we
> are in agreement that:
>     1) This isn't true for many of those release level ARs we already have,
> and
>     2) Many liners simply don't present enough info for us to be able to say
> this, so either
>           a) This info ends up being put in annotations, where it is much
> less
>              useful from a database and discographical point of view
>           b) This info ends up in release-level ARs.
>     3) AR info ought to not inherit from releases to tracks, nor be assumed
> to do so.
>      4) ARs fall into three groups:
>         Type 1) Some ARs apply best at only the track level, if there's
>              solid info to support that it does apply to that specific
> track, but
>              end up in release-level ARs as "fuzzy" data when the specific
>              track(s) are unable to be (yet) identified.
>         Type 2) Some ARs apply only at the release level, and not to any
> track, and are not ever "fuzzy" at this level.
>         Type 3) Some ARs can apply at either level - photography, liner
> notes, production, etc.

That crashing noise was the sky falling after Brian and I just came to
almost exactly the same conclusions.

So +1 what he said above.

-- 
Lauri Watts

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