ICA warns staff it could close by May.

Institute could fall victim to recession with costs needing a £1m trim.
http://www.guardian.co.uk/culture/2010/jan/23/ica-closure-threat

Ivan Pope wrote some interesting comments about this, I have copied the 
text from Facebook....

marc

Ivan Pope: How we show art and what we make of it.

The thought that the ICA might have to close (it only got 1.2 million 
quid from the Arts Council to avoid that) has brought out the usual 
defenders of any institution that we have come to know, if not love, 
over our art consuming lifetime. I always wondered what the ICA was 
really for, outside the insider cliques who patronise it. Sure, it has a 
bar and a bookshop, but neither have been much cop for a decade or two now.

I've been there and done that. I've done live art with Loophole Cinema 
in the theatre, my 1993 internet magazine, The World Wide Web 
Newsletter, was sold in the bookshop and, most notably, I invented the 
internet cafe with a weekend event, Cybercafe, as part of their Towards 
the Aesthetics of the Future series back in the nineties. Sure, the ICA 
used to be adventurous. Maybe. It's fairly clear that closing down the 
Live Art and New Media departments might just have stripped out the 
potential for reinvention. But who am I to know.

But hearing people defend the ICA on the grounds of the bar, bookshop 
and cinema just reminds me how far we've removed ourselves from anything 
adventurous in the production and showing of art in our key 
institutions. I ask myself: what is the ICA for? Or more interestingly, 
how do they make curatorial decisions. What are they trying to achieve. 
What is the aim, apart from desperation to remain solvent. All our main 
galleries are like this - obscure to the wider public, playing some sort 
of game where validity within the artworld is more important than 
engaging in a public conversation or reinventing the role of art itself.

I think it's about time some of our venerable institutions went to the 
wall. Maybe this can clear the air and release some cash for more 
interesting organisations to take the whole thing forward.
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