Thank-you Bob! 
I see what you mean about reversing the editing. I can see that it could work. 
I think it's the way it is because I didn't really have a plan and the order of 
shots is simply the order I shot them in ( although the zoom out is digital). I 
quite like the feel of us homing in on the figure but it being very blurred and 
us not being sure what is going on - for me it suggests general human 
fragility and also calls to mind the equally fragile black and white TV of my 
early childhood -, then *recovering* the wide view as he trudges home.
It was shot on a beach in Madeira a few weeks ago - I was sitting drinking a 
coffee watching the sea and the guy fishing. There's a load of "meaning" 
layered up, by the music & editing, on top of that simple fact.... I called it 
'dream' as a deliberate courting of the paradoxical.. how *could* it be my, or 
his or anyone's dream? and yet, in a way, for me..it is..
Enough! Thanks!
m.
 
 
--- On Mon, 6/6/11, bob catchpole <bobcatchp...@yahoo.co.uk> wrote:


From: bob catchpole <bobcatchp...@yahoo.co.uk>
Subject: Re: [NetBehaviour] dream
To: "NetBehaviour for networked distributed creativity" 
<netbehaviour@netbehaviour.org>
Date: Monday, June 6, 2011, 9:00 PM







Michael,

It's a beautiful, haunting piece. The dramatic setting and the plaintive music 
communicates movingly the inner emotions of the tiny human figure in the 
frame... solitude, yearning and resilience are all mixed up in there.

Since the piece is essentially two shots have you considered starting with the 
second? Which would mean revealing the full view gradually and then staying 
with it to the end. A different dream?

Bob






Michael Szpakowski wrote Sat, 4 June, 2011 17:01:07
Subject: [NetBehaviour] dream

http://youtu.be/k56IjLmVs70

or as QuickTime here:
http://www.somedancersandmusicians.com/vlog/ScenesOfProvincialLife.cgi/2011/06/01#post434

cheers
michael


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